Research On Jia Zhangke's Films From The Perspective Of Public Life

As one of the most important ways of modern mass media,movies have outstanding public characteristics and bear the social responsibility of paying attention to public life,enlightening citizens,reflecting and constructing public values.However,in the current society dominated by consumerist culture,the entertainment and capital of movies influence and influence the positions and postures of many movie creators.In this situation,with a sense of mission and public sentiment of an intellectual,Jia Zhangke actively intervenes in public life through movies and influences the public sphere of society,and uses poetic justice in the image world to lead people to reflect and promote the further improvement of social public values.Inspired by Martha C.Nussbaum's book:Poetic Justice:Literary Imagination and Public Life,this paper uses the theoretical perspective of film intervention in public life to make an in-depth study of Jia Zhangke's films.This thesis is divided into five parts:The first part analyzes the possibility of constructing poetic justice in the practice of literature and art in public life.Define the concept of “pubic life” and “poetic justice”theory,explain how literary and artistic works intervenes in public life from two aspects:the relationship between public life and literature,and how to construct a kind of poetic justice that can influence social public values in the practice of intervening in public life.The second part analyzes Jia Zhangke's sense of "fate" and public sentiment.Combining the historical background and artistic experience of Jia Zhangke's life,Jia Zhangke can be deeply immersed in the story of Fenyang County,his hometown.This kind of immersion makes it possible for him to understand and grasp Chinese reality more deeply,thus taking Fenyang County as the epitome of contemporary China To observe China's destiny with the story of Fenyang,this transcendent posture enabled him to achieve a positive focus on the public life of Chinese society.In this process,Jia Zhangke and the publicity of his films have been recognized and affirmed by the world.He has grown from a literary youth to a representative of the National People's Congress.Using film as a medium,he has participated in discussions and speeches on public issues such as politics and society.Demonstrate the public sentiment that intellectuals should have.The third part analyzes how Jia Zhangke's films are involved in public life.First of all,he continued to pay attention to the social and public life,and constructed the epic quality of the film world with the mission of documenting China;second,he takes human nature as the basis for film creation,and uses humanized writing to provide social public reason The progress of humanity provides a reference for human nature;in the end,he paid full attention to social realitywith effective checks and balances on audiovisual language.He usually uses real events in social public life as material,takes the humanistic public value as the ideological theme,and plays the role in the film with ordinary people with the most public characteristics in public life,in order to best show the reality of public life Audio-visual language to explain the ordinary people's survival in public life.The fourth part mainly analyzes the specific impact of Jia Zhangke's film on the public domain from the three major audience groups of academic research,film research and ordinary film audience.In the academic research community,his focus on the concept of true China was widely discovered and recognized,prompting researchers to discuss the film's "real aesthetics",making the film's "real sense of life" and "presence" sense of academics to think about the relationship between film and reality Focus.In the film industry,the content and style of Jia Zhangke's images have influenced the film research community's perception of Chinese films,and even made them use new words to define Chinese films.And from Douban.com,Weibo,and Zhihu,collecting the comments of ordinary movie audiences on his movies,we can find that his movies allow ordinary people to rediscover and examine themselves.The fifth part explores the concrete embodiment of “poetic justice” in Jia Zhangke's films.Jia Zhangke,who has a public sentiment,actively intervenes in public life with his movies,and constructed a concept of poetic justice that can be used for reference by public society in his film world.For example,he appealed to the society with the help of movie stories: paying attention to the equality and dignity of ordinary people,constructing interpersonal relationships of understanding and sympathy in civil society,enrich the human dimension in law and morals,and promoting the realization and improvement of social justice.In the commercial and entertainment-oriented film market environment,he adhered to his original intention of film creation and actively exerted the responsibilities and responsibilities of his public intellectuals in public life.Let the film play its due social function in public life,inspire the audience to think deeply about human nature and public life,eliminate prejudice,and get along with each other on an equal footing,thereby promoting people to further realize and improve social justice.At present,how to make more film creators take on their due responsibilities and consciences and give play to their public value is a question we need to think deeply about.