Image Expression Of Zhang Yimou's Traumatic Experience

Traumatic experience is one of the important psychological sources for artists to create,while film directors arouse the power of facing trauma through the creation of film stories and lens language.Throughout the film’s development history,many directors such as Li An and Kitano Takeshi have had traumatic experiences,and Zhang Yimou also has traumatic experiences.Based on the theory of trauma,this article analyzes deeply in the trauma experience brought to Zhang Yimou by the three aspects of native family,social life and national culture,and the impact of trauma experience on his film creation.This thesis is divided into three parts: introduction,text and conclusion.The introduction first explains the reason and significance of the topic selection,combs Zhang Yimou’s film works and awards,discusses the status and trends of Zhang Yimou’s research and trauma research,and points out the difficulties and challenges of the research angle of this thesis.At the same time,the research objectives and research contents of this paper are described.The research content is the main body of the paper: from three perspectives,it explains the cause of Zhang Yimou’s traumatic experience and the impact of traumatic experience on his movie creation.The first chapter discusses the traumatic experience and image expression of native families.The main analysis comes from the trauma brought to Zhang Yimou by his father,mother and family environment,such as the lack of maternal love,which leads to the lack of parent-child relationship between Zhang Yimou and his mother,the dumb image of the father and the absence of the father ’s spirit caused Zhang Yimou’s psychological trauma.Zhang Yimou’s psychological trauma caused by the troubled and uneasy family environment made him has a sense of tragedy from an early age,and made him long for a warm family life.Then analyze the impact of traumatic experience on its film creation,such as shaping the male character of “weakness and nihilism” and the male character of “positive and clear” in the film,and focusing on the characteristics of “clear and vivid” and “independent and strong” The creation of the image,with the ending of the tragedy as the theme of the film.The second chapter discusses the traumatic experience and image expression of social life.The main analysis comes from the trauma brought to Zhang Yimou during the "Cultural Revolution" period,his academic experience and working period.For example,during the Cultural Revolution period,he was "looked up from the door" and was in the most humble marginal zone in the entire social environment.The trauma caused,the traumatic trauma caused by the experience of choosing to forbear to complete the studies after the Cultural Revolution,and the trauma caused by the pressure and distress on creation and work after graduation.In theselife experiences,he experienced the sweetness and bitterness of the world and the warmth and warmth of human beings,and also made his image expressions unique.For example,he tends to take highly stylized lens pictures and uses the use of red to express a released state and life.Enthusiasm,expressing publicity and stretching vitality and depressing and distorting humanity to express complaints against the physical and mental damage of individuals,in the soundtrack of the movie,it strives to show more inherent tension and vitality,and competes with its own creative inertia,making the movie The narrative is more prominent.The third chapter mainly discusses the traumatic experience and image expression of national culture.Mainly analyzes the trauma brought to Zhang Yimou by the ethical culture,patriarchal culture and righteousness culture in the national culture,such as the trauma brought to him by the "black five categories" label being imprisoned and suppressed under the respect and order created by the ethical culture Because of his father’s long-term stubbornness and stubbornness,he lacked the consciousness of real reflection and rebellion and was traumatized by the patriarchal culture,and the trauma caused by the tangled deviations in the choice of film genre at the level of Yili culture.Zhang Yimou was not only satirized and rebelled against "li" and "lun" in the film creation,but also criticized the strong and stubborn patriarchal culture,and expressed his understanding of the patriarchal culture after his father’s identity was established.At the same time,we constantly explore and select movie types throughout the creative process.Concluding remarks: The traumatic experience has had a profound impact on the character group portrait creation and film sound and painting creation in Zhang Yimou’s film works.During the creative process,he continued to explore and try to form a unique artistic style,and at the same time completed the realization of his artistic value.It also made a profound impact on the development of Chinese film.The author also points out the shortcomings in the research process and conclusion of this thesis.