Simulated Expression In Contemporary Portrait Photography

In the 1960 s,the "simulation" theory that accompanied the rise of postmodern thoughts had an important impact on the practice and cognition of photography.In the 1960 s,the "simulation" theory that accompanied the rise of postmodern thoughts had an important impact on the practice and cognition of photography.Deleuze once systematically expounded the conceptual history of imagery.He believes that the basis of imagery is differences or differences,but this is exactly the way to avoid stereotypes and even identity.The imagery has its own right of expression.From the perspective of semiotics,Baudrillard further explained the concept of imitation from the perspectives of Nietzsche and Deleuze.The core of his imitation theory is virtual existence,which has no direct connection with reality.Externally surreal world constructed of goods,images,and symbols.The artificial media reality has become the reality that most people believe,and the truth with pictures has evolved into the truth without pictures.Whether the image represents reality and the purpose of image impersonation.This article will try to use this as a starting point to explore the expression of "imaging" in portrait photography and the problems brought about by "imaging".