From Fragmentation To Reconstruction: A Study Of The Family Space Of Zhi Yuhe's Movies

The family is the strongest and most difficult structure in human society;the family space is not only a space for our lives,but also a window for us to focus on social space.The rapid development of society has caused more and more family problems and social problems.The dis integration of family structure and the alienation of family members have become a common dilemma faced by modern families,and we have continuous ly sought and called f or new family models.Film,as a visual art,always vividly represents family life.As a new narrative and new perspective,the rich connotation and representation contained in space can play a symbolic role in the film and promote the perfect fusion of reality and fiction,society and art.From this perspective,space is undoubtedly powerful and intuitive.This provides new ideas and directions for the creation of family-themed movies,which can extend people's understanding of family and society through the narrative function of film space.The director Hirokazu Koreeda,who is good at creating the da ily life of the family,concerned about the changes in Japanese families.Through the selective construction of space,the family structure is represented concretely,show ing the complex character relationships and emotional entanglements at the moment,reflecting the director's influence on society.Attention to the survival s ituation of the underlying characters.This thesis explores the topic "Hirokazu Koreeda and the changes in family ethics in his f ilms ".He looks at the director 's imagination of the family's spatial imagination and the presentation of family space by combing the ethical relationships of the characters in the family space.Perspective exploration is how Hirokazu Koreeda film constructs and uses family space narrative and ideology to achieve a deep grasp of family space.This thesis will cons ider Hirokazu Koreeda's imagination and construction of family space from three dimensions,in order to present the director's reflection and call for "home ",and to examine the family space shift and social structure change in the process of Japanese modernization.The author finds that it is Zhiyuhe 's family space in the film that profoundly reflects the shift of Japanese family structure from integrity to fragmentation to reconstruction,and family ethics from tradition to modernity,from intimacy to alienation.As the attribution of human beings,"home" is constantly broken,and the elements that sustain the family are shifted from the pure blood relationship to the geographical relationship and karma relationship.The film not only expresses this kind of psychological change and mental anxiety through the family space,but also the relationship between the family and the movie as an object and a mirror.Therefore,the family space in the movie is about the image expression of the family,and it is also through the language of the movie.The imaginative construction of family forms and problems in an artistic way.Perfecting the study of " Hirokazu Koreeda and the film family space" can better understand the relationship between family ethics and space: On the one hand,Japanese movies represented by Hirokazu Koreeda are good at creating family ethical dramas,which not only contains rich and restrained aesthetic connotations,but also It shows the humanistic care for modern families,so it is bound to be of reference for the creation of domestic family ethical dramas.On the other hand,with the development of society,the post-modern space discourse has become prominent.Through the film presentation of family space,we can see our interpersonal relationships and daily life.This soc ial space production is the basic premise of film discourse space generation,which reflects The change of space culture in modern society.For a deeper understanding of changes in family ethics,changes in family structure are of great significance.