Comparative Study On The Architectural Art Of Traditional Hakka Ancestral Halls Between China And Malaysia

In the 19 th century,a large number of Hakkanese with the same surnames set out from Xiamen Port to the Malacca Strait,making a great contribution to the opening and rise of Penang Island.After nearly a hundred years of family migration,they gradually established the family settlement with the ancestral hall buildings as the core in Penang.The buildings of Hakka ancestral hall in Malaysia are based on those in its native place.And under the influence of multiculturalism and colonial rule,new architectural functions have been derived,and unique architectural styles have been formed.With more exquisite architectural decorations developed and integrated with the local society,they have become the symbol of the city.Starting from the study of Hakka ancestral hall buildings,this paper mainly studies the architectural art of architectural style and architectural decoration.Based on the literature analysis,field investigation and comparative study,this paper analyzes the architecture art of ancestral hall in the native land Fujian,and compares it with Malaysia’s ancestral hall.The paper is divided into three parts: First,basic research.To distinguish the similarities and differences in architectural form,architectural decoration art and the embodiment of humanistic thought,analyze the influencing factors behind,and study the mechanism of the differentiation and development of the ancestral hall architecture art in Malaysia.Second,to solve practical problems.As a result of policy orientation,more and more overseas Chinese are returning to seek roots and offer sacrifices to their ancestors.And in the process of renovation and reconstruction,the Chinese ancestral hall buildings are faced with the problems such as the convergence of architectural decoration theme,rough construction technology and the contradiction between "antique" and "renewal",etc.Third,to conform to the times,bringing the Chinese architectural art abroad.The experience learning "from outside to inside" is the need of the development of contemporary Chinese society,while the spread of "from inside to outside" is an inevitable way to enhance the international influence of Chinese culture.The successful experience of the local development of Hakka ancestral hall architecture in Malaysia has shown that traditional Chinese architecture art can be accepted and recognized in different cultures.With the in-depth implementation of China’s Belt and Road Initiative,"Chinese style" is emerging gradually overseas,and a large number of overseas designers are once again seeking inspiration from the traditional Chinese architectural art.In recent years,the continuous improvement of China’s foreign cooperation policy service system has helped creating a good development environment for overseas cooperation.Through this research,this thesis analyzes the impetus of the external transmission of traditional Chinese architecture art,and provides suggestions for traditional Chinese architecture art to go out of the country and to the world under the new era background.