Study On The Influence Of The Operating Position Of Landscape Painting On The Spatial Layout Of Jiangnan Gardens In Ming And Qing Dynasties

As a carrier of culture and art with a large spatial scale,Jiangnan gardens in Ming and Qing Dynasties are more convenient than other arts in reference and integration in many fields of culture and art.Among them,landscape painting and Jiangnan gardens in Ming and Qing Dynasties have their profound origins and mutual development runs through their historical track.In this paper,through the microcosmic perspective of the operating position of landscape painting,we trace the influence of the operating position of landscape painting on the space construction of Jiangnan gardens in Ming and Qing Dynasties.In the literature and material objects,we should seize the precious relics,and start new exploration from different dimensions such as philosophy dimension,aesthetic taste and construction paradigm attached to the Jiangnan gardens of Ming and Qing Dynasties,and study the significance of traditional imagery and organization layout of landscape painting for building the fully artistic space-time form of Jiangnan gardens in Ming and Qing Dynasties.This paper is an attempt to restore the deep meaning of Chinese classical gardens culture.Through the interpretation of the operating position of landscape painting on the Ming and Qing Jiangnan gardens’ space construction have an impact on the study,this paper explores the organizational structure art of Jiangnan gardens space in Ming and Qing Dynasties.By unlocking the logical relationship between the various elements of the operating position of landscape painting and the spatial layout of Jiangnan gardens in Ming and Qing Dynasties,and to understand the art of framing and imagery of Jiangnan gardens in Ming and Qing Dynasties,it is undoubtedly a beneficial exploration to explore how to unfold the scene of landscape painting in the gardens of Ming and Qing Dynasties and form a three-dimensional picture.