A Study Of The Depersonalization In Robbe-Grillet’s Novels

The Depersonalization in the creation of novels is mainly manifested in the depersonalization of the narrative of the novel,specifically referring to the separation between the narrator and the author,the narrator and the novel character,and different na-rrators in the novel narration,which is a kind of text effect achieved by rhetoric.Recognizing that the traditional Balzac-style realism novels can no longer reflect the new realities of the volatile modern society of the twentieth century,Robbe-Grillet consciously adopted Depersonalization for novel creation.Robbe-Grillet ’s depersonalized creation has two connotations: Sight and Fictionality,and the simultaneous action of Sight and Fictionality,forming the unique style of Robbe-Grillet ’s novels.Robbe-Grillet emphasized that the world does not connect with people,so we need to look at the world from the Sight,that is,intuitively,unemotionally regarding the world and shelving the transcendental significance of the world.The formation of Sight is the result of the influence of French Philosophical Thoughts at that time.Bergson’s Continuity and Intuition,Husserl’s Coming Back the Thing that is to be and Intersubjectivity,and Sartre’s Look and Intervention are all philosophical thinking resources of Sight.Sight makes Robbe-Grillet consciously choose to write in a flat way,which is embodied in the use of physical properties of things to describe things in the novel.And in the Flat-Writing,people in Robbe-Grillet ’s novels seem to be things.In fact,Robert Grier’s novels are full of things,which is not powerless to the world which is surrounded by things,on the contrary,things in Robbe-Grillet ’s novels truly realize its presence,which is Robbe-Grillet ’s efforts to resist the Materialization.Robbe-Grillet attaches great importance to the fiction of novels.His concept of fiction comes from his observation and understanding of modern novels,which has a profound literary tradition.According to Robbe-Grillet,the power of fiction lies in its fictionality.Fictionality is a kind of writer’s intervention.If a fictional novel is a dependency of other ideologies,it will lose its power.Fiction is a kind of fabricating facing the form of novel.The fictionality facing the form of novel makes the novel get rid of the author’s position as a microphone,and also stops the readers from seeking for the single meaning,which makes the novel gaining an independent position by means of form.In Robbe-Grillet’s novels,fictionality is no longer constrained by the calling significance and interpretation tendency of traditional fiction,which is embodied in the thorough subjective fictionalizing,which is mainly manifested through the fictionalizing of things,characters and novel structure.Depersonalization is also a kind of text effect achieved by rhetoric,and it is an experiment on the basis of novel narration innovation.From the point of view of narrative time,there is no longer the difference between story time and narrative time in Robbe-Grillet ’s novels.They are unified in a narrative time of Eternal Present Time.From the important narrative perspective,Robbe-Grillet chooses theinternal-focus-narrative-perspective of the characters as the starting point in his novels.There are a large number of external focus narrative perspectives,and there is no omniscient non-focus-narrative perspective.Among them,the Third Person Internal Focus Perspective is widely used by Robbe-Grillet,which is an important factor for the emergence of Deperso-nalization in Robbe-Grillet ’s novels.To a certain degree,the Third Person Internal Focus Perspective increases the readers’ reading difficulties,but also greatly increases the interpretable space and intention of the novel text.