The may fourth movement period is an important turning point in the development of Chinese fairy tales.With the establishment of the theory of "children first" and the introduction of the concept of "fairy tales",the pioneers of literary fairy tales,represented by zhou zuoren,zheng zhenduo and ye shengtao,have made painstaking explorations in constructing the theoretical system of fairy tales,translating and introducing excellent foreign fairy tales,and creating literary fairy tales.Children’s world,founded in 1922,provides abundant soil for this series of fairy tale practices.Under the guidance of "fairy tale leading",zheng zhenduo,the chief editor,closely relies on ye shengtao,zhao jingshen,geng jizhi and other literary research societies to jointly explore the new territory of fairy tales.The introduction of foreign excellent fairy tales through "retelling" to stimulate domestic fairy tale creation activities;To train a group of excellent fairy tale writers to reserve strength for the development of Chinese literary fairy tales;Ye shengtao’s "scarecrow" is "a way for Chinese fairy tales to create their own"--the way of literary fairy tales.In this paper,the children’s world edited by zheng zhenduo is included in the "may fourth movement",a new and decayed environment,to discuss its significance as the first literary fairy tale publication for the practice of Chinese literary fairy tales,and to trace the process of the germination,occurrence and development of literary fairy tales in children’s world.In terms of research methods,the development process from folk fairy tales to literary fairy tales is restored through longitudinal combing in time by combining theoretical discussion with text analysis.The paper is divided into five parts,among which:The introduction describes the background,significance and methods of the research,and summarizes the research of children’s world.The first chapter combs the real connotation of "folk fairy tales" and "literary fairy tales" in the "May 4th movement" period from the aspects of ideological basis,literary basis and retelling of foreign excellent fairy tales,and discusses the "fairy tale" theory and editing thoughts in combination with the basic situation of fairy tales published in "children’s world" during zheng zhenduo’s time as chief editor.The second chapter is the author’s influence on Chinese literary fairy tales.This paper expounds the editing thoughts of zheng zhenduo’s fairy tales and the author’s initial attempt to create his own fairy tales.The third chapter mainly discusses the influence of children’s world on Chinese literary fairy tales.For example,children’s world is the formation of children’s literary creation,and children’s world clarifies and improves various styles of Chinese literary fairy tales,as well as the contribution and significance of children’s world magazine to modern literary fairy tales.The last part is the summary of the paper. |