This Paper Explores The Singing Style Of Classical Chinese Poetry From Yangguan Triassic

Chinese classical poems and songs contain the culture,style and spirit of the five thousand years of Chinese history.It is not only the vocal music field but also the precious spiritual and cultural wealth of our country.Chinese classical poetry is composed of lyrics adapted from ancient poetry for lyrics or reserved from original qin songs and sung in a modern way.However,there are very few ancient musical compositions that can be handed down to this day,such as the 17 ci and qu included in jiang kui’s bai shi daoren song collection.More modern and contemporary classical poetry as lyrics,and then the use of western composition techniques and the addition of traditional elements of Chinese history,the music.Paper will be the departure at the fron as an example to analyze,will the departure at the fron song,improperness,diction and music of violin’s departure at the fron of fingering techniques,artistically,the combination of through the analysis of the traditional Chinese classical poetry and guqin artistically and implication to feel the unique charm of Chinese classical poetry,exploring the singing style of Chinese classical poetry.Songs,Chinese classical poetry is different from other national music,it will be the Chinese classical literature and traditional Chinese music and harmonious together,like a picture of a shade fitting for ink painting,we must understand the song melody,lyrics and artistic conception and other important factors to its perfect interpretation,which is China Eastern aesthetics implication is shown.To explore the singing style of Chinese classical poetry is actually to explore the Chinese aesthetic implication of the Chinese nation in the long history.