A Study Of Porcelain Pillows With Figure Motifs In Song Dynasty

This study takes the porcelain pillow with figure motifs of the Song Dynasty as the object of study,and focuses on the study of figure motifs,and systematically studies and analyzes the basic use scenes,the basis of social popularity,and the characteristics of the motifs of the porcelain pillow with figure motifs of the Song Dynasty.The reasons for its appearance and large-scale popularity in the Song dynasty are revealed,and insights into the production of modern ceramics in China are thus discovered.This paper uses physical research,image research,documentary research,and fieldwork to break through previous studies of porcelain pillows in terms of the artistic characteristics of shapes or ornamentation,with a focus on the subject matter of figures in general.This paper is divided into six parts.The first part establishes the research value and significance of Song dynasty porcelain pillows with figure motifs by combing and analyzing documentary materials.The second part clarifies the basic use scenario and production range of Song dynasty porcelain pillows.The third part examines the basis of the social popularity of Song dynasty porcelain pillows with figure motifs under the influence of the philosophy of creation,social development and regional conditions.The fourth part examines the high-frequency figure images,pillow content taking and the number of figures lined up in the Song Dynasty figure subjects.The fifth part explores the social aesthetic concepts and human emotions embedded in Song Dynasty figure-themed porcelain pillows.The sixth part analyzes the reasons for the emergence and large-scale popularity of porcelain pillows with figures in the Song Dynasty from the perspective of art and its implications for modern times.The porcelain pillow with figure theme of Song Dynasty developed in the inheritance and innovated in the era.Its understanding of human nature,the pursuit of creation,the care of real life and other aspects show a strong cultural confidence and characteristics of the times,which fits with the concept of people-centered social governance in China and has a profound impact on the development of China’s modern ceramic industry.