Pillow Scenery:Study Of Ornamemtation About Forcelain Pillow Of Cizhou Kiln In Period Of Song,Jin And Yuan Dynasties.

Cizhou kiln is the model of ancient folk kiln in our country,and its decorative art style is unique in the history of ceramic art in our country.The period of Song,Jin and Yuan dynasties are the prosperous period of Cizhou kiln.The ornamentation about porcelain pillow which is one of the most representative products of Cizhou kiln is rich and diverse.Although there are many researches on Cizhou kiln in the past.However,the systematic research on the ornamentation about porcelain pillow of Cizhou kiln in this period is a little insufficient.Therefore,its civil kiln attribute should be paid attention to grasp in the course of this research,that is to say,it rooted in the folk and tied to the real life.Using the field investigation method,the literature research method,method of comparative analysis and case and holistic research method,the paper try to find artistic characteristics of porcelain pillow ornamentation by collection,analysis,comparison and induction of related graphic and textual data.The so-called style is seen in detail,the pen and ink permeate the culture,the ornamentation hidden artistic conception,the theme should follow the times.At the same time,this article uses methods of the folklore,the iconography and the design science,and aims at the multiple angles research of ornamentation about porcelain pillow of Cizhou kiln in period of Song,Jin and Yuan dynasties.This article is divided into six chapters.The first chapter is the introduction which mainly narrates the motivation and significance for the study of the thesis,the purpose and the method,the history and the present situation,as well as the scope and the definition of the related concepts;The second chapter discusses the development,decoration,and functional use of the porcelain pillow in Cizhou kiln;The third chapter discusses amply the performance of the folk custom about porcelain pillow ornamentation of Cizhou kiln in Song,Jin and Yuan dynasties;The fourth chapter compares and demonstrates the reference and fusion of porcelain pillow ornamentation to painting in theme,composition,pen and ink and artistic conception;The fifth chapter discusses the decorative procedure of the pattern through a number of cases,and probes into the deep motivation of its formation;The sixth chapter is the conclusion,it is the induction and summary of the thesis.On the one hand,the thesis can make a systematic supplement to the connotation about ornamentation of porcelain pillow in Cizhou kiln by the study of this subject,on the other hand,it is helpful to enrich the theory of Chinese ceramic decorative art,and play a positive role in contemporary ceramic decoration.