| Hermann Hesse is a outstanding German writer and poet in the 20 th century.This dissertation takes Hesse’s representative work The Glass Bead Game in his later years as an example,and uses the intertextuality theory proposed by Julia Christiva、Mikhail Bakhtin and Roland Barthes to analyze the intertextuality characteristics of Hesse’s works from the poetic path and ideological path respectively.On the one hand,there are obvious intertextual relations within the text of The Glass Bead Game and between it and Hesse’s other texts,especially in the aspects of character images,plot structures,subject spirits,which show the contradictory tensions of mutual confirmation and deepening subversion;on the other hand,The Glass Bead Game contains multiple elements such as German romantic tradition,western music and eastern culture,there are deep intertextual relations between these elements and a wide range of cultural texts,as well as multiple references to history,reality and the future world.All in all,Hesse’s autobiographical writing techniques,which integrates his personal life into his creations,successfully links the dynamic communications between the text and the subject,the meaning,the social history,and they forms a crisscross network of intertextual relations between his whole creation and the outside world,reflecting the great inclusiveness of intertextual narrative.As a literary and artistic worker with conscience,Hesse’s real efforts to the society and all his works with world literary significance complement each other,which not only set an example for the intellectuals all over the world,but also comfort the grieving souls of all mankind in the war and on the road of seeking selves... |
