| After the "85 Thoughts" of the 20 th century,Chinese art has gradually become a new situation of personality coexistence and diversified development,where most artists actively draw nutrition from Western painting on the basis of traditional Chinese painting.As an important node of the transformation of ink-and-ink figure painting in the 20 th century,Zhou Sicong demonstrated the practical ability of Chinese modern ink-and-ink painting creation in different aspects,such as ink-and-ink expression techniques,artistic aesthetic concepts,personal emotions and inner world,and provided a reference value and reference significance for the controlled transformation and aesthetic development of Chinese ink-and-ink painting.Its inner strength stems from the result of the collision and fusion of Chinese traditional art and western modern art,and has an enlightening value of the construction and innovation of Chinese traditional ink-and-ink art language.This article is based on the theme of "Zhou Sicong ink art language" to explore.First of all,from the cultural background of the twentieth century,the article summarizes Zhou Sicong’s ink and water art language.From the three aspects including Zhou Sicong’s growth environment,with timeline as the main vein,and different periods of creative background,artistic expression techniques and the inner emotional world,the first chapter of the article summarized three different style stages containing the realistic style of Zhou Sicong in the early,the performance in the middle,the spirit to the traditional spirit in the late.The second chapter is the main part of this article: the main analysis is the specific performance of Zhou Sicong ink art language characteristics.From the pen-ink,composition,modeling,the three aspects are combing.From the performance of being book into the painting and pen-ink,division of the wrong,white composition form and realistic,exaggerated modeling performance,the three aspects have been detailed interpretation.And taking the main works of different periods as the perspective,integrating the ancient Chinese related painting theory,the specific performance of Zhou Sicong ink art language characteristics of the traditional ink-ink inheritance have been detailly analyzed,and under the stimulation of the Western modern art concept,to actively explore the breakthrough road between China and the West have been interpreted.Chapter three is about the main point of inquiry on the emotional communication of Zhou Sicong’s ink-and-ink art language.From the three aspects:humanistic care of compassionate people,naive and plain maternal glory,and self-improvement of national spirit,this paper discusses and explores the concrete presentation of emotion communication in the Zhou Sicong’s artistic language.Chapter four analyzes Zhou Sicong’s ideological and ink-artistic language expression,and discusses the two aspects of innovative consciousness and life consciousness of personal experience,and interprets Zhou Sicong’s highly personalized ink-and-ink artistic language in ideological communication.Chapter 5 is to do a detailed solution from Zhou Sicong ink art language to my creation of the meaning of enlightenment,and taking personal works as a reference,to specifically analyze of art language as a medium to convey ideas,and the performance carrying the artistic creator’s thought and emotional inner spirit,and strive to pursue personalized artistic language in creation.Zhou Sicong’s ideological and artistic nature of ink-and-ink art language is her perception and summary of self-life consciousness,as well as the deep interpretation of the media thought and art of ink art language. |
