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The Transformation Of Zhou Sicong 's Painting Language In Contemporary Context

Posted on:2016-05-23Degree:MasterType:Thesis
Country:ChinaCandidate:Y Q ShiFull Text:PDF
GTID:2175330470953561Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Zhou Sicong painting style is represented by the people and the prime minister’srealistic style, to the performance style, represented by the KuangGongTu torepresented by "falling wood rustling" lyric style three different periods of change.Paintings from social theme of strong attention to focus on ordinary life theme and thetechnique from a single mode of traditional painting composition to the diversity offorms, from absolute realism to the relative deformation of character image, formstyle by vigorous, excessive for delicate elegance, depressed KuangGongTu changesof transitional period, the yi women’s series with lotus here sublimation stage, thechange that by the time background, aesthetic purport and emotional thoughtinfluence, is also a painter heart nature, emotional point and spirit for the mapping ofchanging social and cultural environment in the work. Comprehensive understandingand reading of this article through to Zhou Sicong, can understand Zhou Sicong styleof painting language form process, can indirectly, understanding how to deal with therelationship between the traditional painting and contemporary painting, how to makethe development and innovation of traditional painting better, how to correctlyunderstand the development direction of the ink figure painting, in the present contextof ink figure painting these questions such as what to do.
Keywords/Search Tags:Zhou Sicong, form language, western modernism, ink figure painting, shift
PDF Full Text Request
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