Research On Chaos Poetics Of Yu Nu

From the second half of the 1980 s to the beginning of the new century,the Chinese poetry circle was full of sound and fury.The traditional ideal of poetic beauty,such as expressing one’s will,collective imagination,perfect harmony,elegance and convention,has fallen out in the complexity controversy one after another.Where Chinese new poetry comes from(the source of new poetry)and where to go has once again become the focus of the dispute.Various poets have put forward new writing standards in their own positions in order to reach more consensus and wider acceptance.Yu Nu,a poet with the most dangerous,grotesque,unique style among all the poets,began his literary creation in the 1980 s,and at the beginning of his 1990 s,he put forward the Chaos Poetics as a standard and ideal of poetic beauty.Over the past 30 years,he has maintained a sober attitude,consciously keeping a distance from poets and the Poetic Circle,and has made sustained efforts in both poetry and poetic theory to construct a Chaotic Poetic world with a set of theoretical assumptions and textual practices,it provides a good opportunity for the development of modern Chinese poetry writing.Facing this difficult poetics system,many readers and critics either choose to avoid or can not do anything about it,showing obvious polarization of praise and criticism,but rarely obtain its vital points.This paper attempts to stand in the background of the history of Chinese poetry,dive into the scene of fresh works,and reveal the complex appearance of Chaos Poetics This paper tries to clarify the essence and basic quality of Yu Nu’s Chaos Poetics,and tries to clarify the principle of poetic thinking,the inner mechanism of creation and the process of text generation.Then,in the synchronic and Diachronic two-way comparison,discusses the aesthetic value of Chaos Poetics and its multiple enlightenment to contemporary poetry criticism.In order to achieve a more comprehensive grasp of Yu Nu’s Chaos Poetics,to provide reference and inspiration for future researchers.The paper is divided into five parts.The introduction is divided into two sections,which respectively introduce the value of the topic selection and the previous studies on Yu Nu’s Chaos Poetics.The First Section will identify the uniqueness,difficulties and research value of Yu Nu’s poems in the whole genealogy of contemporary Chinese poetry,so as to clarify the value of this thesis.The Second Section presents the present situation of Yu Nu’s poetry research and the direction to be explored,that is,the lack of integrity,systematicness and necessary close reading of the text,which provides the dual support for the writing value of this article.The first chapter systematically discusses the origin and development of Chaos Poetics,redefines this concept and clarifies its basic elements and characteristics.First of all,starting from the ancient Chinese mythology and the philosophy of Lao Zi and Zhuang Zi,the origin and spiritual core of the concept of Chaos Poetics are sorted out.Referring to the definition of Chaos Poetics in western contemporary science,"horizon" and "life world" in phenomenology,the connotation and denotation of the concept of "chaos" are systematically studied.Secondly,it introduces Yu Nu’s Chaos Poetics and compares it with the concept system of Chaos in the previous section,and points out that Yu Nu’s Chaos Poetics inherits and rejuvenates the thoughts and characteristics of the predecessors.(what is Chaos Poetics?)The second chapter will go deep into the text scene,through the text perusal,scanning analysis of the Chaos of the specific picture of poetry,the features of "time and space tend to feel","subject and object tend to be chaotic","cause and effect tend to be complex" and "style tend to be unsteady" are abstracted.This is to prepare for the next chapter to summarize the poetic thinking principle and creative mechanism of Chaos Poetics.(what is poetry like under the influence of Chaos Poetics?)The third chapter follows the work of the second chapter,on the basis of a large number of text analysis,trying to outline the Chaos Poetics of the occurrence principle and creative mechanism.The paper sets up a three-spiral poetic model on the basis of "suspicion-suspension-reduction","the death of words and the reproduction of symbols",and "the distinction between poetry and non-poetry".(how did ’poetry of chaos’ come into being?)The fourth chapter goes back to the vision of the hundred-year new poetry and discusses the aesthetic value of Chaos Poetics and its important enlightenment to the contemporary poetics criticism.It points out that Yu Nu’s Chaos poetry may be another source of Chinese new poetry,and the Chaos Poetics impacts and expands the boundaries of Chinese poetry again and again,testing the toughness of Chinese language.Yu Nu and his acceptance history and criticism of his poetry/studies not only challenge but also enlighten the contemporary poetry criticism.