| "SOLFEGE DES SOLFEGES " is a series of sight-singing teaching materials published at the end of the 19 th century and the first period of the 20 th century,which have a complete set of 10 volumes.The major and minor modes are used by composers through these 34 lessons,which are two-part Solfeggio with a medium difficulty.The high voice is sung by a soprano,and the low voice is sung by a baritone with piano accompaniment.After sorting and summarizing the domestic teaching materials,the author found that many repertoires were selected from " SOLFEGE DES SOLFEGES ",which can prove the important value of " SOLFEGE DES SOLFEGES " to the learning of sight singing and ear training.In order to summarize and integrate the 34 lessons piano accompaniment in the 7B sub-volume,the author uses the research integration method and analysis method to obtain the characteristics and analysis of the piano accompaniment music through the study of excellent works and literature.This topic summarizes the style characteristics of the piano accompaniment in Volume7 B from the characteristics of the work’s era,musical style,and music genre category;summarizes the creative characteristics of the piano accompaniment from the texture characteristics and writing techniques;summarizes the piano from the aspects of speed,strength,timbre and touch main points of accompaniment performance.Finally,the musical characteristics and artistic value of piano accompaniment are analyzed from three main points:piano accompaniment style characteristics,piano accompaniment creation characteristics,and piano accompaniment performance.This topic combines the melody of the mixed voices and the piano accompaniment of the7 B sub-volume.Besides,it is significant of the auxiliary effect of piano accompaniment on the performance of sight singing and the effect of improving the ability of sight singing and ear training.This research not only solves the important problem in the analysis of piano accompaniment alone,but also provides a method to improve the art of solfeggio performance and ear training from the perspective of piano accompaniment. |