On The Musicality Of Zhang Chengzhi’s Novels

Zhang Chengzhi is one of the most appealing contemporary writers.He m elts his blood,tears and sweat into words to create unique novels and prose.T he biggest feature of Zhang Chengzhi’s novels is poetic,and he advertises in h is prose that his novel creation should try his best to reach the realm of poetr y,and the realm of poetry is composed of music and color.Zhang Chengzhiope ned the prelude to the novel creation with "Why the Rider Sings Mother",expl ained how to sing the mother with folk songs in "Black Steed",and closed th ecurtain of novel creation with the final chapter of the music "History of Min d",Zhang Chengzhi’s Novels begin with songs and end with songs.Music has become an indispensable creative resource for Zhang Chengzhi’s novels.The diverse musical experience not only affects Zhang Chengzhi’s specific creation,but also affects Zhang Chengzhi’s thinking on the relationship between language and discourse.Language is authoritarian and is a set of abstract and inherent ideographic tools,while direct perceptual experiences such as vision and hearing can break through existing language norms and have the potential to subvert established discourse hegemony.Zhang Chengzhi has a keen insight into the mystery of language representation,and shows that music,as a more rhythmic,rhythmic and emotional perceptual art form,has a more direct connection with people’s lives,and is suitable for breaking through and realizing discourse hegemony through language representation.Tools and methods.Therefore,Zhang Chengzhi assists music in the novel,makes full use of music’s functions of teasing,introspection,criticism and practice,and consciously intervenes in reality,in order to achieve the purpose of breaking the established discourse hegemony.This article takes the musicality of Zhang Chengzhi’s novels as the research object,uses interdisciplinary research methods,starts with the close relationship between literature and music,and clarifies the various manifestations of the musicality of Zhang Chengzhi’s novels through systematic study and classification of Zhang Chengzhi’s novels,To explore the shaping of the form and content of Zhang Chengzhi’s novels by music,in order to highlight the unique connotation,value and characteristics of Zhang Chengzhi’s novels.In addition to the introduction and conclusion,this thesis is divided into three chapters.The first chapter explores Zhang Chengzhi’s ideal beliefs and traces his thoughts and discourse resources from the manifestation of the sound of music,which is the music in the form of singing or chanting prayers in Zhang Chengzhi’s novels.The second chapter clarifies the implicit musical creation techniques in Zhang Chengzhi’s novels,such as long-tone,repetition,and polyphony,from the perspective of potential musical techniques,and the relationship with the lyrical and freehand features of his "poetic novels",and examines the importance of music.The role and consequences of the language,mode and structure of his novels.The third chapter presents the transformation of Zhang Chengzhi’s identity and position from three aspects: the knight’s tone change,the murmur of the other,and the monophonic form of the bottom.It discusses how he can absorb the resources of the bottom discourse and break the constraints of existing language forms through music.To realize the "breakthrough of discourse",as well as the different aesthetic tendencies and spiritual pursuits embodied in this process.