A Study Of Fine Arts Activities In Tianjin In The Early 20th Century

At the beginning of the 20th century,China in the late Qing Dynasty and the early Republic of China experienced "changes unprecedented in thousands of years".With the disintegration of the feudal dynasty and the spread of Western learning to the east,China began the transformation from traditional to modern,and stepped into the process from closed to open.The introduction of foreign culture also gradually affected the urban landscape and cultural formation of Tianjin.In the period of the Republic of China,the new Chinese art ideas began to sprout,the training of art talents and the development of art activities began,etc.As the earliest open city in China,Tianjin once appeared a cultural intersection scene of blending the Chinese and the West,inter-communication between the North and the South,and miscellanies of the five sides.And art is always consistent with the historical track,local customs and practices of that place.At such a intersection,what kind of phenomenon will be seen in the art activities in Tianjin?In what ways will the artistic style be influenced?This paper mainly adopts the historical research method and the literature research method,from the perspective of the modern literary trend,education system and the rise and development of fine arts culture in the urbanization process of Tianjin,to make a detailed study of the official art exhibitions,folk painting associations,fine arts organizations,art activities and the main influential figures in Tianjin in the early 20th century.To avoid "the introduction of the local native painter recorded and address book","local artists and their works of art materials",from the evolution of the regional art vividly trajectory and the historical situation in-depth analysis,detailed classification,is a powerful supplement of fine arts in Tianjin region research,also played a paradigm for Chinese and foreign art of communication.