| China has a rich and brilliant intangible cultural heritage.In recent years,many intangible cultures have been on the verge of extinction and loss,and the recording and protection of intangible heritage is a matter of urgency.With the documentary film on intangible cultural heritage as a carrier,we use concentrated footage to run through the changes of history,nature and humanities,inherit the outstanding culture of the nation,promote the protection of traditional culture by relevant institutions,and at the same time,precipitate the accumulation of precious information to understand the historical development.This paper mainly summarizes the content and communication characteristics of the documentary film on intangible cultural heritage,and explores how to improve and innovate the content and creation form in the context of multimedia integration,and make full use of the advantages of new media communication to expand people’s awareness of intangible cultural heritage,enhance the strength of the communication of intangible cultural heritage documentary film,and promote the protection and inheritance of intangible cultural heritage in society.This paper discusses the following six chapters in the context of the graduation work.The first chapter is an introduction,combining documentary research method and character interview method to clarify the current status of research on the content creation of NFA documentaries and point out the purpose and significance of this study.The second chapter mainly defines the relevant concepts of NFA documentaries and elaborates the development path of NFA documentaries.The third chapter mainly explains the characteristics of objective authenticity,humanistic expression,artistic and reproduction fusion of NFA documentary content,etc.Chapter 4 explains the creative forms of documentary films on NFR,namely,the rational use of narrative techniques and subject shaping to enhance the viewability of the content and sublimate the emotions.Chapter 5 proposes the need to focus on innovative communication contents and paths,the use of all-media communication and the approach close to the interests and habits of the audience,etc.Chapter 6 mainly reflects the spiritual values contained in them.The content and dissemination of intangible cultural heritage documentaries should be done well to enhance the attention of society and the public to intangible cultural heritage.The author hopes that the content creation and dissemination of ICH documentaries in the future will benefit slightly from some simple discussions in this paper. |
