| In this paper,the two-tree back screen Buddha statue in Linyi city area of Hebei Province was studied for the research object,combed the development and change of the Buddha’s back screen decoration,sorted out the layout and type of back screen decoration,and the techniques and innovations used in the artistic performance of the decoration.In this paper,field investigation,literature comparison,image analysis and other methods are used to study.The aim is to analyze the aesthetic tendency and belief concept of the double-tree back screen Buddhist image decoration in lucheng area,so as to analyze the overall characteristics and regional differences of the Buddhist back screen image decoration in the Northern Dynasty.In order to arouse the attention and research of Buddhist statues in Beiqi period,enrich the communication of Buddhist statues in China,and spread the culture of lucheng area.This paper discusses that from the east Weibei Qi period,the two-tree back screen Buddha statue decoration pays more attention to the decoration at the same time pay more attention to the performance of the decorative modeling space,and puts forward the double-tree back-screen Buddha statue decoration in the East Weibeiqi period from a simple flat line carving into a three-dimensional embossed performance.Double-tree back screen Buddha statue decoration and the appearance of the form of perforated carving,not only because of the financial influence of the believer,but also because of the Beiqi period as the capital of the country,a wide gathering of the world’s talents and the great German monks,many of them are books,paintings,carvings,carving skills in one artist,their artistic creation and practice in lucheng,together built the city’s double-tree back screen Buddhist statue of the brilliant high point.The text also from the perspective of the language of sculpture expression,analysis of the two-tree back screen Buddhist statue in Lucheng decoration and back screen of the expression form,because of relief,round carving,line carving and a variety of performance techniques combined with the hole-through carving,resulting in a variety of artistic processing techniques,multi-shaped lush scenery.And combined with the method of painting plastic companionship,to paint auxiliary shape to convey the look,showing a simple picture,spatial level of the unique aesthetic characteristics.The Lucheng area became a high-level gathering place for small Buddhist statues in China during the Beiqi period. |
