On The Expression Dimension Of Material Language In Comprehensive Painting

Traditional painting promotes the innovation of artistic language and gradually innovates on the basis of inheritance,so then reflect the world from a more unique perspective.Old style painting forms and materials can no longer meet the needs of the development of the times and the output of new ideas.In the middle of last century,the trend of weakening traditional painting began to appear in the West.The mixed effect is used to make the fuzzy boundary of painting merge.The innovation of concept makes the art of comprehensive painting popular gradually.In the post-modern art of painting form began to break away from the plane to space and takes material media as the carrier of ideas.It presents the idea that everything is possible of art.In the present works of art,comprehensive expression has been widely used,so as to express the artist’s new ideology,new values and new sense.The thesis is divided into the following three chapters.Chapter 1: Starting from the origin of the history of art development and discussing the origin and evolution of painting in each period,and then dig up into the development of Chinese and Western painting materials.From the warm-up of the first chapter leads to the theme of the second chapter: The new order of painting language.This paper mainly discusses the subjective evolution of material language and the language order of material modeling and material color in comprehensive painting language.As the key point,chapter 3 mainly includes the Multi-dimensional expression of material language in comprehensive painting.It is divided into three dimensions.firstly,In the form of space interaction and space-time integration,this paper comprehensively analyzes the spatial dimension expression of material language in comprehensive painting.Secondly,discussing the cultural construction in the comprehensive painting and material beyond their own material value of the spiritual latitude.Thirdly,combined with my own artistic practice and academic accumulation,this paper analyzes the driving role of the four artists in the history of the art development of comprehensive painting,and studies their interpretation in the cognitive dimension and gradually turns to academic development.