Han And Tibetans Cultural Exchange In The Buddhist Art Of Yonghe Gong Lama Temple

The Yonghe Gong Lama Temple is an important royal temple in the Qing Dynasty.It is well-known for its long historical and cultural accumulation and its contribution to the spread of Tibetan Buddhism,which has also created the grand occasion of the multi-ethnic cultural integration of the Yonghe Gong Lama Temple today.This research focuses on the development of Buddhist art under the background of the multi-ethnic cultural integration of the Yonghe Gong Lama Temple,and takes Buddhist prints as the research object.The emergence and development of Buddhist art in Yonghe Gong Lama Temple are closely connected with the evolution of ethnic culture.Therefore,the Buddhist art of Yonghe Gong Lama Temple should be studied beyond the image level from the perspective of ethnic culture,so that the ethnic cultural background can be deduced through the development of Buddhist art,and then the Buddhist art of Yonghe Gong Lama Temple can be reconstructed from the perspective of ethnic culture.While the cultural exchange and integration of Manchu,Mongolian,Han and Tibetan cultures is a new development of civilization,it also represents a special historical period influenced by religion.The exploration of Yonghe Gong Lama Temple Buddhist art under the background of multi-ethnic cultural exchanges is an investigation and confirmation of human historical activities.As a necessary way of expression and recording in human practice,art is an image medium for humans to understand history.Therefore,a comparative analysis of Buddhist art in the Yonghe Gong Lama Temple can help us understand the Buddhist cultural connotations under the blending of Han and Tibetan.In addition,this research has historical significance for our understanding of multi-ethnic culture,and it also has a positive effect on the communication and inheritance of ethnic culture.The first chapter gives a comprehensive statement on the general situation of Yonghe lama temple,and its Buddhist art,Explains its formation and development and the influence of multi-ethnic cultural exchanges on Buddhist art.The second chapter focuses on the Buddhist art of Yonghe Lama temple as the main research object,specifically discussing the historical context of the formation and development of Buddhist murals and prints in Yonghe Lama temple.The third chapter confirms the integration of multiple ethnic cultures in the relationship between Yonghe Lama temple Buddhist murals and prints through actual image documents.At the end of the article,it summarizes the current situation and research content of Buddhist murals and print art in Yonghe Lama temple,and finally puts forward thoughts and suggestions on the current situation of Buddhist art.