On The Improvement Of Chinese Painting In The Period Of The Republic Of China From Wang Shaowei’s Emphasis On Poetry,Calligraphy And Painting

The indirect and direct mixing techniques of Tempera materials and the fusion of classicism and surrealism constitute Ai An's paintings,and the unique style of Ai An's paintings depends on the infinite evolution of the metaphorical image factors behind the symbols.This unique surrealism gives people a sense of reasonableness,absurdity,calmness and melancholy.The figurative techniques,simple materials and aesthetic vision of modern people in the paintings are the positive beauty lost to contemporary art.The best response.This article uses semiotics and metaphor theory to analyze Ai An's paintings,and provides a new perspective for future research on this type of research.The semiotics Saussure and Pierce's multi-model framework provides methodological guidance for this article,while Mikko Bauer's work interpretation method provides a theoretical basis for this article.The full text is mainly divided into the following five parts:The first part is the introduction,which mainly summarizes the status quo of metaphor research from the perspective of semiotics at home and abroad;The second part mainly analyzes the theoretical basis of metaphorical symbol research,and introduces the biaxial relationship in symbol structure and the theory of encoding and decoding.And with the biaxial relationship in the semiotic structure,that is,the horizontal combination axis of the color,technique,and material combination in the picture,and the vertical aggregation axis of the structure and plot combination in the space,the subjective coding of Ai An’s works;The third part and the fourth part analyze the symbolic meaning of the animal image and the character image in the painter Ai An's works by the decoding method in Mico Bauer’s image semiotics,and further explore the extension image layer to the connotative image in Ai An’s work The meaning construction of layers and the metaphors that exist in the interpretation;The fifth part focuses on analyzing the role and enlightenment of the metaphorical signs of Ai’an’s works and the future trend of the semiotics of artistic works,and relying on [Zhao Yiheng: "Literary Semiotics",Beijing: Peking University Press,2010,p.264 ]Discipline and popular trend of thought analyze the wide-area spread of the meaning of codes in art works.This article will analyze and study the unique artistic language of Ai An’s works from the perspective of semiotics,and systematically analyze the subjective content and form of the paintings themselves,so as to respond to the crisis of the proliferation of artistic symbols brought about by the era of next reading pictures,and to The numerous possibilities of painting development provide relevance and rationale,aiming to provide a text worthy of study and a path for reference for the metaphorical analysis of paintings from the perspective of semiotics.