Research On Intangible Cultural Heritage Documentary Creation Under The Theory Of Direct Film ——Take The Graduation Work Gushu Qing·Gushu Dreamas An Example

As the "sisters" of the national intangible cultural heritage project,Lu ’an Dagu and Chuogushu of Changzhi city,Shanxi Province,China,retain the wisdom of the working people.In the tide of modernization,lu ’an Dagu and Chuogushu are still vigorous and keep up with The Times with innovation.Then why can Lu ’an Dagu and Chuogushu stand out? As media students in the new era,we need to think deeply about how to promote the development of Lu ’an Dagu and Wushu Quyi as intangible cultural heritage projects.In the era of technology,information and networking,we should grasp the pulse of The Times and help the art of gulshu to carry forward and develop in the new era in the form of digitalization.Intangible cultural heritage theme documentary Gu Shu affection,Gu Shu dream（hereinafter referred to as the intangible documentary film Gu Shu affection,Gu Shu dream）,to the state-level intangible Lu An themes of drums and the eldest son Gu Shu record by two young actors Huo Ya Jie Gu Shu art and chen-xi wang dream Gu Shu heart through the journey of art,To express the love,pursuit and ingenuity spirit of the artists of gushu,as well as the value of The Times and artistic charm of the art of gushu.Intangible documentary film Gu Shu affection,Gu Shu dream is based on the theory of direct cinema under the guidance of work,the theory of direct cinema began in the 1950 s and early ’60 s,today has gradually become people’s favoured a documentary documentary production way,especially popular in China,since reform and opening up,with the introduction of the creation concept,It is found that the objective and silent way of observation and recording pursued by the concept of "direct film" fits well with some ideas in Chinese traditional culture and the tenacity and low-key temperament of Chinese people themselves.Therefore,the theory of "direct film" has been further promoted and developed in China.In the creation of the intangible cultural Heritage documentary Gushu Qing · Gulshu Dream,the author followed the documentary principles advocated by the concept of direct film in terms of the selection of subjects,the use of shooting techniques and the post-editing.For intangible cultural heritage documentaries,in addition to displaying its aesthetic value,it is more important to record objectively and truly the deeper and intrinsic intrinsic value of intangible cultural heritage.In the shooting of this work,strictly following the principle of non-involvement of direct film,the series of events of the protagonist in the category of Gushu art are objectively and truly presented,thus not only visually and truly showing the characteristics of Lu ’an Dagu and Eldest son gushu art,but also truly and vividly conveying the documentary theme of dream pursuing Gushu art.The author thinks that for the intangible documentary film creation,documentary should first as a basic principle in creation,performance documentary record real,real,that of intangible sense of beauty comes from the real,so this paper tightly around the direct cinema creative writing theory,in this paper the heritage documentary film Gu Shu affection,Gu Shu dream creative process,This paper discusses the importance of the theory of direct film" in the creation of intangible cultural heritage documentaries and how to apply the theory of direct film to the creation of intangible cultural heritage documentaries.This mainly includes the proper use of the direct film shooting techniques of stealth,contemplation and exploration,and the "direct film" narrative expression of reality,memory and timeliness in post-editing.