Research On Decorative Language Creation Of Boneless Flower-and-bird Painting

Boneless flower-and-bird painting has been evolving in inheritance since the development of the Five Dynasties.It has a strong decorative meaning with its direct use of color and shape without handwriting.With the fusion of multiculturalism and the change of contemporary social ideology,the aesthetics of flower and bird painters are also constantly changing.Light perception processing,aesthetic pursuit,etc.The use of appropriate decorative language in flower and bird painting can not only produce fresh visual effects and make the picture more beautiful,but also facilitate the innovation of traditional boneless flower and bird painting.This article attempts to start from the concept of decoration and decorative language in painting,to explain the connotation of the decorative language of boneless flower and bird paintings;combined with typical works from ancient times to the present,to summarize the specific expression of decorative language in boneless flower and bird paintings;Based on the background of the times,this paper analyzes the performance factors and innovative changes of the decorative language of contemporary boneless flower-and-bird painting,and based on the author’s own painting practice,describes the creative exploration process and aesthetic implication of the decorative language of boneless flower and bird paintings.This selected topic sorts out the historical context of the decorative language of boneless flower and bird painting in theory,and tries to find more diverse decorative language in practice,so as to open a broader space for the development of contemporary boneless flower and bird painting.