Research On Chinese Flower And Bird Painting With Southern Regional Characteristics

Flower and bird paintings have formed different styles and characteristics in the thousands of years since their formation,and have different spiritual connotations.After the flower and bird paintings in the Tang Dynasty became independent painting subjects,in the Five Dynasties period,two different styles of flower and bird paintings,Xu and Huang,appeared.On this basis,Yushi produced subtle Song and flower paintings of the Song Dynasty and freehand literati.painting.Yuan Meng painter Zhao Mengfu opposed the "precise" style and "game" attitude in the creation of flower and bird paintings at that time,and put forward the idea of "retro",which created the "easy" style of Yuan Dynasty literati painting creation.Flowers blooming,not only diversification of meticulous brushwork and freehand drawing,but also flower and bird painting became popular at this time.From the development of the Qing Dynasty to today,many painting schools in the southern region have absorbed and innovated on the basis of inheriting traditions,and have integrated Western painting techniques,thus forming a contemporary southern flower and bird painting.Due to the large span of north-south regions in my country,there are obvious differences in nature,customs,and culture between the north and the south.However,these differences have subtly influenced the creation of flower-and-bird paintings in the north-south regions,so they have spawned different flower-and-bird painting cultures.With the rapid development of today's society,cultural exchanges are becoming more and more convenient.Creative subjects such as unique flowers and rare fruits hidden in the mountains of southern minority areas have begun to be valued by flower and bird creators.Huge creations Resources are gradually being discovered,In recent years,on the basis of inheriting the predecessors and combining the characteristics of the southern region,local native flower and bird painters in the south have continuously tried and innovated,and used a lot of themes of the southern regional features to create flower and bird paintings,gradually forming a distinctive southern regional feature.style.This article takes "Southern regional characteristics"as the topic,and compares the painting theme,painting language,aesthetic orientation and human environment of the north and south regions,so as to highlight the southern regional characteristics and the flower and bird paintings with southern ethnic culture.These works not only show the rich flora and fauna of the southern region,but also reflect the painters' unique insights and aesthetic sentiment on the creation of the characteristic flower and bird paintings in the southern region,which enriches the expression language of the flower and bird paintings.The formation and development of "Southern Regional Featured Flower and Bird Painting" is an important cultural phenomenon in the field of contemporary Chinese painting,and has historical significance for innovation.Therefore,this article attempts to introduce from the history of the development of Chinese flower and bird paintings,and then analyze the natural environment and humanistic environment of the formation of southern regional characteristic flower and bird paintings,and make a more comprehensive and in-depth study on the formation,inheritance and development of "Southern regional characteristic flower and bird paintings." Explore.Through research and analysis of southern region-specific flower-and-bird paintings and Mr.Cai Zhi's southern region-specific freehand flower-and-bird paintings,it is found that southern region-specific flower-and-bird paintings are based on inheriting the excellent tradition of Chinese flower-and-bird paintings,and selected mountain flowers and wild plants with southern regional features,Walking animals,birds and birds,and thus innovatively expressing the southern nature's simple,lively yet optimistic spirit.The emergence of this regional style feature shows the new look and style of contemporary southern regional flower and bird paintings,which will have some profound influence and inspiration on the Chinese painting world.In order to excavate the unique natural spirit of the South,to perceive the humanistic feelings of the Southern Flower and Bird Painting,and to innovate the Southern Flower and Bird painting brush ink structure and painting themes.The above is the core content of this article.This paper summarizes the"features" of the southern regional characteristic flower and bird painting through the research and summary of the southern regional characteristic Chinese flower and bird painting and Mr.Cai Zhi's southern regional characteristic freehand flower and bird painting.It provides a theoretical basis for the learning,inheritance,development and innovation of the characteristic flower and bird painting in the southern region,and also provides contrasting materials for the study of the characteristic flower and bird painting in the northern region.