An Exploration Of The Language And Form Of Lingnan Courtyard Theme In The Context Of New Ink Painting

By looking at the development of Chinese landscape painting,we can conclude that the ink language of landscape painting changes with the development of the times.In today's era of rapid social development and multi-cultural integration,painters further develop a novel ink context with the characteristics of a novel era with novel perspectives,novel ideas and novel expressions.At the same time,they also make innovations in ideas,creative themes,expression methods and forms,so as to realize the transformation of traditional ink language and painting form beauty to the contemporary,and promote the progress of Chinese landscape painting.Courtyard in Guangdong Province has its own characteristics,which is similar to landscape painting.Its internal ingenious spatial layout provides a new angle for the performance of landscape painting.In landscape painting creation,this kind of garden landscape theme with regional characteristics is rarely encountered.Dongguang Keyuan is a treasure of Courtyard in Guangdong Province,which has high artistic appreciation value.In this paper,with Dongguang Keyuan as the starting point,the artistic characteristics and aesthetic value of the courtyard are analyzed from its architectural space layout,water stone layout,and garden art of flowers and trees selection.Then,through the analysis of the series of garden theme works of modern new ink painters,this paper explores the painting language and form consistent with the creation theme of Courtyard in Guangdong Province from the three aspects of ink technique,composition form and artistic conception creation.This paper also tries to apply this language and form to the creation,and to express the Courtyard in Guangdong Province landscape painting with Keyuan as an example in the new ink form,so as to provide some practical reference for the innovation and development of Chinese landscape painting.