Rooted In Tradition And Rooted In The Times

Since the establishment and development of contemporary Chinese classical dance,it has gone through a difficult and tortuous process.In the early 1950s,Mr.Ouyang Yuqian first proposed the concept of "Chinese classical dance".After the unremitting efforts of Ye Ning,Li Zhengyi,Tang Mancheng and other predecessors,he accumulated a wealth of dance body vocabulary and formed a relatively complete and scientific contemporary classical dance teaching system.But in the development of Chinese classical dance teaching system for more than 60 years,there are still many problems such as "nationality","stylization" and "functionality".The development of contemporary Chinese classical dance training system is a core research field.In the research of its development process,we should follow the cornerstone of Chinese classical dance rooted in Chinese traditional culture,and constantly integrate and sublimate its aesthetic style and training value.Chinese classical dance is still very young among all kinds of Arts,lacking theoretical support and research.If we talk about development blindly,we will only make it "top heavy".Therefore,in this context of cultural exchange and active thinking,contemporary Chinese classical dance should take root in traditional culture and talk about development on the basis of its own culture.Opera performance integrates singing,dancing,music and other artistic forms,showing the unique aesthetic and style of Chinese traditional art,which includes all the essence and complexity of Chinese culture,and is reflected in the form of popular people's favorite.The contemporary Chinese classical dance should continue to excavate the performance of traditional opera,in order to enhance its style attribute and the consciousness of the traditional culture inheritance idea.In my opinion,the research on the training system of contemporary Chinese classical dance has outstanding operability and reality.This paper consists of five parts:introduction,development of Chinese classical dance,definition of opera related concepts,reference of contemporary Chinese classical dance body rhyme school to opera performance,and evolution of contemporary Chinese classical dance body rhyme school to opera performance.The first chapter is the introduction,which analyzes the current Chinese classical dance teaching system and the current situation of opera performance research.Combined with research methods,it shows the practical significance of its existence research.The second chapter sorts out the development history of ancient Chinese dance and contemporary Chinese classical dance teaching system,and points out that the construction of contemporary Chinese classical dance teaching system is closely related to opera performance.In the third chapter,through the analysis of traditional Chinese opera,the factors of traditional Chinese culture and the distinctive national style in the performance of traditional Chinese opera are sorted out.The fourth chapter analyzes the contemporary Chinese classical dance body rhyme school's reference in the opera performance,from the body elements and performance methods and other aspects to explore the traditional cultural factors of Chinese classical dance in Beijing opera performance.The fifth chapter is also the main point of view of this paper.Through the comparison of the use of space in the contemporary Chinese classical dance excellent repertoire,it is concluded that "space" is a major factor that distinguishes the Chinese classical dance performance from the opera performance,and at the end of this chapter,the repertoire performance is considered.