Analysis And Research On The Music Design Of The Modern Qin Opera Drama "Blessing"

In 1977,Shaanxi Opera Research Institute put Lu Xun's famous short story"Benediction " on the stage of the opera in a unique way of Qin Dynasty.Since its debut,it has been well received by people from all walks of life.The drama inherits the tradition in the design of Qinqiang music and is bold and innovative.It not only retains the "authentic flavor" of traditional Qinqiang music,but also boldly uses western opera theme tones to create.The theme tone of Xiang Linyi runs through the play's introduction,interlude,chanting and even the whole play more than ten times,and connects the storyline and appearance of the whole play.At the same time,in terms of bands,the songwriters added western orchestral instruments on the basis of traditional Qinqiang bands,expanded the original band organization,and played a vital role in polishing and rendering the plot,sings,and stage atmosphere.Expressiveness is enriched.This article is divided into five parts for elaboration,including the introduction,three chapters and the conclusion.The contents of each part are summarized as follows:Chapter 1,Introduction,the author mainly expounds the reason and significance of the topic selection,the research status and trends and the research methods;Chapter 2 mainly explains the creative background and creative process of the play,and analyzes the relationship between the script and the plot;Chapter 3 mainly analyzes the musical design of the play,starting from the penetration of the theme tones,the choice of layout of the aria,the artistic expression techniques,and the band organization;In Chapter 4,the analysis of Xiang Linsao and He Laoliu is mainly selected from the main verses,and how the songwriters shape the characters from the main verses;In conclusion,the first four chapters are summarized and summarized,and the characteristics of the musical design of the play and the author's views are drawn.