Cha Sheng's Calligraphy Research

Zha Sheng was a scholar,poet,calligrapher,book collector in the early Qing Dyn asty.He was one of the most important scholars in the south study during the Kangxi period.His calligraphy was praised by Kangxi,his courtiers and the world.The Zha family is a famous family in southeast China,with a profound family history and a prosperous culture of collecting books.Zha Sheng is the best calligrapher in his family,whose book style is scattered and graceful,and when people seek books,they close their doors.As an ancient scholar and calligrapher,he had the core spirit of tradition that scholars had,which was also the important foundation of his personality shaping and the formation of calligraphy.As a scholarly bibliographer,he inherits the tradition of collecting books,is knowledgeable and knowledgeable,and nourish books with literature.Calligraphy reflects the common characteristics of ancient literati.As one of the "literary attendants" of the imperial government,as well as the protector and practitioner of traditional calligraphy,he played a certain role in promoting and influencing the formation of the mainstream social fashion at that time.His attitude,way and concept of learning calligraphy have certain reference significance for later learners.This paper takes the establishment of Beijing as the capital of the Qing court and the stable development of the society as the beginning of the early Qing Dynasty,and focuses on the investigation of Zha Sheng's calligraphy art,as well as the life and activities of Zha Sheng's institute,and the calligraphy fashion and phenomenon formed and developed in the year of Kangxi.It is divided into five chapters to investigate and discuss the calligrapher Zha Sheng's calligraphy practice,calligraphy learning thought,calligraphy aesthetics,calligraphy style in the reign of Emperor Kangxi and the overall calligraphy fashion reflected by the concept of calligraphy rule under the rule of the early Qing Dynasty,that is,the concept of calligraphy rule of Han calligraphers in the Dynasty who had dealings with Emperor Kangxi and the calligraphy phenomenon generally formed.The first chapter briefly describes Haining's Zha family and its calligraphy culture,briefly describes Zha Sheng's life and his family's inheritance;The second chapter investigates Zha Sheng's calligraphy communication and the calligraphy negotiation between Zha Sheng and Emperor Kangxi,and analyzes the relationship between Zha's calligraphy activities and the calligraphers' group in the Nanxian study,who were officials in the same dynasty,and the social communication group.The third chapter analyzes Zha Sheng's calligraphy practice,thoughts of learning calligraphy,origins of learning calligraphy,characteristics of writing style,collection and engrading books,etc.Through Zha Sheng's appreciation and comments on the remarks of ancient calligraphers and his calligraphy works,the author interprets Zha Sheng's self-cognition and aesthetic ideal of calligraphy art.Combined with the fashion of the early Qing Dynasty,this paper discusses the profound influence of the concept of calligraphy under the governance of Kangxi regime on the development of calligraphy art.The fourth chapter investigates the significance of Zha Sheng's calligraphy art and its influence on the later generations,and explores the profound influence and the significance of The Times on Zha Sheng's calligraphy art from the aspects of the concept of ruling books and the traditional spirit of scholars in the early Qing Dynasty.This paper the development of calligraphy in jiangsu and zhejiang area shape,advocate board book phenomenon at the beginning of the qing dynasty,the continuation of traditional post to learn in the qing dynasty as the research Angle,in early qing dynasty in zhejiang haining chavez family as the background of the shaping of personality,chavez south branch as the main line,analysis era under the conditions and the family inheritance given shoka individual literary accomplishment and artistic quality.Focusing on the study of Cha Sheng's calligraphy,this paper explores the causes of his concept of learning calligraphy and style of writing,and explores the development form of calligraphy of Cha Sheng's group of calligraphers "in the dynasty" and the formation factors of the later formation of official-style academy.The purpose of this paper is to analyze the specific historical phenomenon of the continuation of the tradition and the worship of the Dong Shu in the early Qing Dynasty,to comprehensively grasp the connection between Cha Sheng's calligraphy and the concept of governing the Shu in the early Qing Dynasty,as well as the mutual relationship between the concept of governing the Shu in the early Qing Dynasty and the group of scholars and calligraphers represented by Cha Sheng,and to observe and study Cha Sheng's calligraphy with traditional culture and traditional spirit.