| The thesis starts from the work of the author’s graduated artwork,takes the concept of contemporary "representation" as the concept,explores the integration of Chinese landscape painting into contemporary landscape oil painting,and constructs the painting wrok of conceptual landscape in the way of contemporary representative painting.This paper is divided into four parts.The first part clarifies the concept of "representational" and "representation" based on the development of western art history,and reflects on the western traditional representational painting which seeks for realistic representation of objects.The second part focuses on the contemporary concrete composition of landscape painting,from the visual elements of the concrete composition of "stroke","line" and "image" to discuss the fusion of the object image and concept in contemporary landscape painting,and then from the "momentum","rhythm" and "direction" to discuss the picture expressiveness of the concrete composition of contemporary landscape painting.The third part of the paper introduces the creative ideas of the author’s landscape painting and explains the specific painting works.Starting from the concept of the existence of man and nature,the author interprets and deconstructs the elements of Chinese landscape painting,combines with the formal concepts of traditional Chinese art layout,and integrates the elements of Chinese landscape painting into the oil painting which is mainly designed to create atmosphere,and finally presents a meaningful and open landscape oil painting.Thesis in the fourth part is the summary and prospect of graduation creation,through the creation,the author deeply realize that combines the Chinese landscape painting and oil painting,explore contemporary representational painting composition is a subject for a long time,need the creator of Chinese painting,and even gave birth to the cultural tradition of Chinese painting has a comprehensive and profound understanding,need hard practice for a long time,Only in this way can we hope to create mature and contemporary landscape oil paintings with Chinese cultural characteristics. |
