Strange Beauty

Stone is an important aesthetic image in traditional Chinese culture.Kistler is a stone with a unique beauty.It is a natural beauty created by magical craftsmanship,and it also contains the noble feelings of literati.During the Wei,Jin,Southern and Northern Dynasties,there was a phenomenon of playing with strange stones,and the Song Dynasty reached a new climax.In the Ming Dynasty,strange stones frequently appeared in many artistic fields such as painting,gardens,bonsai,literature,etc.,leading the new style of Qiqiu aesthetics in the Ming Dynasty.There are many kinds of strange stones in Ming Dynasty paintings,such as the upside down stalactites in Qiuying's Wonderland paintings,the Lingbi stones in Ding Yunpeng's Qiqiao figure paintings,the Lizhou stones in Wu Bin's Luohan paintings,and the Taihu stones in Chen Chun's paintings.The strange stone is the embodiment of the scholar's painting thought,and it is also the manifestation of the scholar's personality.This article takes the strange stones in the Ming Dynasty paintings as independent aesthetic individuals,sorts out the different symbolic meanings and aesthetics of the strange stones in the works of different literati painters,and understands the artist's pursuit of the unique qualities of the strange stones,and analyzes the aesthetic style of the strange stones behind the strange styles of the Ming Dynasty.This article starts with the strange stones in Ming Dynasty paintings.The strange stones in Ming Dynasty garden paintings,the strange stone objects in the figure paintings and the Taihu stones in the flower and bird paintings all reveal the beauty of the strangeness of the Ming Dynasty scholars.The second chapter discusses the prevalence of scholars' fashion of being strange under the influence of Xinxue in Ming Dynasty.The curious and curious aesthetic fashion of the scholars in the Ming Dynasty became an important reason for admiring strange stones in the Ming Dynasty,and a variety of art forms were also the reasons why literati emphasized strange stones.The third chapter analyzes the scholars' performance to the strange stones from many aspects,discovers the beauty of the strange stones' artistic conception,and reveals the aesthetic style of the scholars in the Ming Dynasty to realize the integration of man and stone,and use stone as a metaphor for man.The strange stone paintings of the Ming Dynasty are the embodiment of the loneliness and arrogance of the scholars,and the strange style of painting is the voice of the scholars' resistance to the injustice of life.The strange stone in the painting is not only the embodiment of the scholar's temperament towards the strange stone,but also the painter's inner monologue,which contains the most unique spiritual space of the scholar.