A Study Of Narrative Rhetoric In Dance Drama

In the study of this paper,the author draws lessons from the relevant research achievements of rhetoric,visual rhetoric,and narrative rhetoric,combined with the theories of visual perception psychology and cognitive psychology.This paper analyzes the ideographic characteristics of words and the human body,the genre narrative characteristics of literature and dance drama,and the cognitive psychological differences between words and images,then separates and refines the specific mechanism of rhetoric operation from figures of speech.Integrate them with the ideographic characteristics of dance drama narrative media and genres,and select more than ten theoretically feasible figures of speech.Subsequently,the author found their figures in the eight Wenhua Award-winning works to ensure that these more than ten figures of speech are really feasible in practice,before finalizing the concept and methods of narrative rhetoric of dance dramas.Secondly,rhetoric takes context as its operating environment,which sets the scope of interpretation for rhetoric,thus temporarily limiting semantics in a relatively stable state.In order to optimize the interpretation effect of rhetoric ideograph,before discussing the eternal focus of rhetoric-figure of speech,The primary task of the construction of the rhetorical context of dance drama is to presuppose the factors such as culture,times and value in the context accepted by the audience,to coordinate the contradiction between the receptive context and the text context by using narrative rhetoric according to the presupposition,and to deal with the factors that form identity barriers,and then reconstruct the expression of the text.After thinking deeply about the characteristics and differences of various narrative media,the author selects more than ten rhetorical devices that can beautify,defamiliarize or transition in the narrative of dance drama,and takes the award-winning works of the 14th-16 th Wenhua Award as a case study,and summarizes the effects of narrative rhetoric in visual aesthetic feeling,character shaping,plot arrangement and drama viewing experience.It is hoped that the author's analysis and summary will build an insurmountable bridge between theory and practice,contribute to the development of dance drama theory and practice,provide some reference for creators in future creative practice,and make future dancers and audiences form a sense of rhetorical expression,acceptance and research,so as to improve the narrative efficiency of dance drama and promoting the high-quality production of dance drama.