| Intangible cultural heritage is an important part of cultural heritage,a witness to China's history and an important carrier of Chinese culture,containing the unique spiritual values of the Chinese nation and embodying the vitality and creativity of the Chinese nation.The continuation and development of these two forces is mainly due to the living inheritance of "people".Any cultural inheritance is inseparable from the people who carry the cultural inheritance carrier.Musicologist Guo Nailiang pointed out: "Music,as a humanistic phenomenon,is created by people,and it is also people who enjoy it.The meaning and value of music depend on people.Therefore,the study of musicology is always inseparable from the human factor."As a form of "oral transmission",the inheritors play an important role in the process of singing the inheritance and protection of the intangible cultural heritage,and the attention to the inheritors is an indispensable and important link in the study of music anthropology.Yan Shuihua,as the national inheritor of the Tujia Weeping Wedding Song,has a great influence in the Tujia and Miao Autonomous Prefecture in western Hunan Province.According to the author's previous fieldwork,Ms.Yan Shuihua has long been engaged in the inheritance practice of the Tujia weeping wedding song,and has mastered the knowledge and core skills of the weeping wedding song,actively carried out inheritance activities,cultivated successor talents,and played an important role in the inheritance of the weeping wedding song.To this end,based on the theory and method of music anthropology,this paper takes Yan Shuihua,the national inheritor of the Weeping Wedding Song of the Tujia Family of Xiangxi Province,as the research object,analyzes and discusses the living environment,life course,and the skills and inheritance activities of Yan Shuihua,the inheritor of the Weeping Wedding Song,and finally summarizes Yan Shuihua's contribution to the Weeping Wedding Song and the inheritance problems he faces.It is hoped that through this research,we can contribute to the inheritance and protection of China's intangible cultural heritage.This article is divided into the following six chapters: the first chapter,Introduction.It is a detailed exposition of the source,research significance,current status,purpose,research ideas and methods of the selected topic of this study.The second chapter,Yan Shuihua's living place and customs of weeping and marrying songs.It mainly provides an overview of the living places of the inheritors and the local weeping and wedding song customs,and understands the living environment of the inheritors.The third chapter,Yan Shuihua,the inheritor of the weeping wedding song.Through in-depth interviews with the inheritors,the personal life history of the inheritor Yan Shuihua is described in a narrative way,and how she obtained this weeping marriage culture and eventually became the inheritor of the national intangible cultural heritage.The fourth chapter,Yan Shuihua's artistic analysis of the weeping wedding song.From the three aspects of lyrics,musical form and singing,the techniques of weeping and marrying songs mastered by the inheritors are analyzed,and then the artistic characteristics of the weeping wedding songs and the singing characteristics of the inheritors Yan Shuihua are understood.Chapter Five,Yan Shuihua's Investigation of weeping and marrying song activities.This part focuses on how she plays her role in inheriting and protecting the weeping and marrying culture from the two aspects of the occasion of the water splash performance and the development of the inheritance class.Chapter Six,Yan Shuihua's Contribution to the Weeping Wedding Song and the Dilemma He Faced.Through the above research,Yan Shuihua's contribution to the weeping wedding song and the problems encountered in the process of inheritance are summarized,and desirable solution suggestions are put forward,hoping to contribute to the inheritance and protection of China's intangible cultural heritage. |
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