Tonal Pattern And Continuous Tone Pattern Of Jin Shouyang Dialect

The paper consists of four chapters.The first chapter mainly introduces the general situation of Shouyang,the current research status of Jin language and Shouyang dialect,and the specific experimental methods and experimental processes.The experiment uses four speakers from young people,middle-aged and elderly speakers,using Praat software for speech analysis and processing,data extraction,and Excel2010 software to process the data to normalise the resulting data.The second chapter systematically analyses the pitch and duration of the single-character tone of Shouyang dialect.The basic frequency value of the single word tone is normalised,and the five-degree tone is obtained.The flat tone 21,the tone 52,the dephonic tone 23,the yin enters 21,the yang into 52.The upper tone and yang tone values are close,and the flat tone and the yin entry tone values are similar.After the duration is also normalised,it is concluded that the single-character tone is the longest,followed by the upper tone.In the tone,the yin enter is generally longer than the yang.There is still a difference between the duration of tone and the duration of tone promotion.The third chapter analyses the pitch and duration of the two-character tone mode of Shouyang dialect.The two-character modulation mode obtained in the experiment is different from the traditional auditory description.In terms of tuning domain,the two-character tone field is smaller than the single-character tone domain.Compared with the male and female tone domain,the upper and lower limits of the tuning domain are higher than that of male voices,and the female voices in the tone range are wider than that of male voices.In terms of duration,the interpersonal difference between male and female voices in Shouyang dialect is not obvious,but the antagonism between comforting is relatively obvious.The fourth chapter focusses on the special problems of Shouyang dialect.It is concluded that Shouyang dialect Yinping and Yangping are merged into flat tone;the duration is an important distinguishing feature in the Shouyang dialect tone system;there are two tone change rules for the high descending tone of Shouyang dialect: First,when the high descending tone is located at the end of the word,the tone order is uniformly lowered and become a low descending tone.This rule is the template tone change rule.Second,when the two high descending tones are juxtaposed,such as: the upper tone is connected to the upper tone,and the yang entry is connected to the yang entry,the tone level of the previous word is reduced,which is the mandatory twist rule(OCP).The order of action of these two rules is that the OCP rule precedes the template modulation rule.