Stylistic Issues And Language Features Of Yuan Ye

"Yuan Ye" is the gardening theory written by Ji Cheng in the late Ming Dynasty,and its style has the characteristics of the combination of parallel and scattered;in view of the fact that there is no law to build a garden,Ji Cheng’s choice of parallel style is actually to this kind of origin from ancient times.The style related to traditional poetry and painting is used in the expression of abstract design language in gardening.This thesis is a basic theoretical study of the history and theory of landscape architecture.It discusses the writing of traditional gardening theories and discusses it from the perspective of style and language.Comparing "Yuan Ye" with the garden works that appeared in the same period of publication as 1.Stylistic selection and overall frame structure construction,it is not difficult to find Ji Cheng’s narratives such as "On"("Xing Zao"),"" "Say"("Park")and other chapters with different functions,and classify and combine these chapters according to the garden practice operation logic and principle construction logic,and then complete the expression of the gardening theory system from the text structure;2.In the content By comparing the details,we can see that Jicheng inherited traditions(such as the aesthetic characteristics of classical poems and songs)while also not forgetting to get rid of the limitations of these styles.From the perspective of gardening theory,it gave comprehensive innovation in text expression,thus presenting an unprecedented classic Design theory connotation.The linguistic features of the Jicheng Gardening Theory are embodied in the deliberate pursuit of the morphological relationship between objects and images,space aesthetics and construction logic.It also comprehensively uses classical painting art,poetry art,and literary art to complete a strong design consciousness.Innovative expression.This makes it possible to smoothly transform the gardening theory into the design language.The style selection of the parallel style provides the language foundation for Jicheng’s gardening theory: its pursuit of duality and presentation strengthens the precise expression of the order of the object image form,and its pursuit of rhythm and rhythm highlights the language’s environment,The sensitive expression of the change of space and architectural rhythm,the pursuit of aesthetics and experience in its style expands the imaginary space in which language associates with architectural atmosphere,environmental perception,and objects.Ji Cheng thus completed the classical expression of gardening theory and design logic through the parallel style and its language features.The stable language features presented by the text content are the key to the reverse interpretation of the author’s creative ideas.Ji Cheng’s identity as a literati has a subconscious pursuit of concealment and elegance,and is reflected in his literary works;the literati’s artistic awareness in his works of art is a manifestation of the differences between the characteristics of the late Ming Dynasty and the previous period,and Ji Cheng’s use of artistic concept It provides ideas for current scholars to understand the content of the text.In the disciplinary trend of interpreting Chinese traditional gardening theory through language documents and language texts,this article focuses on the writing problem of "Yuan Ye",tries to make a normative interpretation of it and reveal the local meaning of its conceptual connotation,and reveals the logic of its writing logic Traditional text writing methods and the basic effect of stylistic style on the expression of gardening theory.