Contemporary Expression Of Music In Kazak Weddings In Shawan County,Xinjiang

As one of the essential life rites of the kazakh people,the wedding ceremony not only symbolizes the valuable folk culture of the kazakh people,but also witnesses the historical development of the kazakh people in different social transformation periods.Among them,the wedding music and the ceremony constitute a complementary relationship,the wedding ceremony carried out in the song for the kazakh wedding added a clever luster.In the face of modern civilization and infiltration,the influence of urbanization and new rural construction and urbanization process and a series of policies,make the kazak people’s life style,level of education,values and other aspects are changing,at the same time,the use of the wedding ceremony and music expression also reflects current inheritance and change accordingly.In this paper,previous research results and the author of the fastidious,based on the regional geological structural differences "as the research Angle of view,on the basis of the theory of folklore,ethnomusicology and other disciplines,in shawan county,tacheng prefecture,xinjiang region kazak wedding ceremony and music has carried on the comprehensive research and analysis,combining with the contemporary kazak wedding music inheritance situation today,cause reflection and views are put forward.This paper mainly includes five parts:The first part,introduction.This paper mainly introduces the reasons of the topic selection,related research achievements,research contents and innovations,research methods and field review.The second part,shawan county kazak wedding overview.The author expounds the historical evolution of the field,the migration records of the kazak ethnic group and its folk rituals,and gives an overview of the kazak marriage customs.The third part,the contemporary three kinds of cultural state under the wedding record.In this chapter,the author uses the perspective of "regional geographical structural differences" to divide the field site and surrounding village pastures into three cultural types: ranch,village and county,and selects three relatively complete kazakh weddings with corresponding cultural characteristics from the 17 weddings investigated to be recorded.The fourth part is the analysis of the structure and music of contemporary kazakh wedding ceremony.This part shows the detailed contents and morphological characteristics of the ceremony and music different from the past through the analysis of the wedding ceremony,ontology of music,and lyrics of the kazakh ethnic group.The fifth part,contemporary kazakh wedding culture of the current inheritance and thinking.Firstly,the author expounds the inheritance status of wedding ceremony and music.Secondly,a case interview was conducted with the singer of the ceremony of crying marriage song "sensema",Ersgul,as the research object,to learn the contemporary preservation method of the ceremony.Finally,according to the field data textual research,analyze the factors affecting the contemporary kazakh wedding music and culture,combined with the inheritance status of wedding ceremony and music,in the face of today’s wedding cultural phenomenon put forward some thoughts and Suggestions.The sixth part is the reflection on contemporary kazakh wedding music in space dimension.The last chapter analyzes the factors that influence the kazakh wedding music,and then extends two Suggestions on the protection and development of kazakh wedding music.