The Nation Who Praises The Sun According To Tibetan Wedding Ceremony And Wedding Songs

This article mainly take the nation who praises the sun according to Tibetan wedding ceremony and wedding songs as the breakthrough point of the paper, by taking the interpretation of the visual field of the ethnomusicology, the nation who praises the sun according to Tibetan wedding music cultural characteristics, the characteristic of music form and function and the significance and so on. Through participant observation, asking, "insiders" and "outsiders" double identity of the nation who praises the sun according to Tibetan on-site field investigation, field trips, through the observation, inquiry and questionnaire survey, to obtain first-hand information for carding and analysis. Using the theory and method of ethnomusicology, the oral material combined with the historical documents, for wood according to the research of Tibetan wedding ceremony and wedding songs. In succession on the basis of the present study results, as far as possible point to line and line to plane display, wood in accordance with the overall condition of Tibetan music culture and the unique folk culture charm. Trying to explore the nation who praises the sun according to Tibetan culture inheritance and development of the situation on the historical stage, so as to put forward the concrete measures of protection and inheritance, to revitalize the national art treasure to contribute the vigor and vitality.Thesis consists of introduction, according to the Tibetan situation, the nation who praises the sun in accordance with the wedding ceremony, wooden case description according to the inheritance and change of Tibetan wedding ceremony music, wood according to the culture of Tibetan wedding ceremony music interpretation of five parts. The introduction part includes the reason of this article, the research significance, research methods, literature review and related researchAt work, on the basis of existing research results of comb, objective rendering and evaluation of wood in accordance with the present situation of the Tibetan wedding music, reasonable is put forward in this paper, the research methods, to accurately interpret the wood according to Tibetan wedding music culture. The first chapter from the Angle of macroscopic, wood in Tibetan history, geography, culture, custom and so on has carried on the comprehensive description, for the study of the the nation who praises the sun according to the Tibetan wedding music provides a supplement to the cultural level. The second chapter, from a view of microcosmic, present wood according to Tibetan wedding case, show the the nation who praises the sun in accordance with the basic features of wedding ceremonies and music. The third chapter from the idea of cultural change analysis and comparison of the nation who praises the sun according to the content of Tibetan wedding ceremony, music, inheritance, etc. The fourth chapter is the nation who praises the sun in Tibetan wedding ceremony music culture. the nation who praises the sun is discussed in accordance with the Tibetan wedding ceremony a variety of functions and value of music, and according to the nation who praises the sun according to the existing state of Tibetan wedding ceremony music for its inheritance and protection of the questions.