The Creation Of Images And Poetics Connotation

As a basic literary theme,the natural disaster written in The Book of Songs has important research value.As early as the Han Dynasty,Mao Heng and Zheng Xuan had a classic interpretation of the problem of "catastrophe" about the meaning of "the Book of Songs".The interpretation of the disaster written of "The Book of Songs" by later researchers is even more inexhaustible.This article does not intend to follow the thinking of political poetics about the "catastrophe" research of "The Book of Songs",and attempts to re-examine the disaster written of "the Book of Songs" based on modern research perspectives,facing its literary aesthetic images directly,and exploring its cultural poetics connotation.The prerequisite for the study of disaster written in The Book of Songs is the determination of the relevant chapters.Due to different understandings of "disaster",domestic researchers have a big difference on this.Based on the perspective of disaster research,the existing research has obvious misjudgments,or at least doubts.After reorganizing,the disaster content of "The Book of Songs" can be sorted according to its poem time,internal logic,poetic meaning,especially the formation logic of song,elegance,style,and change of style and elegance.On this basis,the aesthetic image and poetic implication of disaster writing in the Book of Songs can be divided into four types,including prayer poems,satire poems,abandoned wife poems,and poems that cannot be clearly classified."The great event of the country lies in the sacrifice and the Rong." Because of this,the writing of blessings for the disasters of the Zhou kings and the nobles of the Zhou Dynasty has become the first object of investigation in this article.According to the text of "The Book of Songs" and the two-week background provided by the Institute of Later Generations,this type of poem can be divided into two specific types,such as poems for "examination" and poems for sacrificial rites and disasters.The disaster writings all show that "the gods and people are in harmony".The aesthetic connotation.In the former,"God and man in harmony" are presented in the form of "divination" and "curse" discourse,while in the latter,it is written in the cause of sacrifice.Such poems not only participated in the ideological construction of the Zhou Dynasty during the two-week period,but also had a long-term influence on the political culture of later generations of China.The political allegory poems originating from the realm of disasters,in the form of correcting errors,also participated in the construction of the ideology for two weeks.Due to the large number of such "thorn poems",the author’s time dating has always been controversial,especially those related to Youwang.In order to trace back the production process of such poems,it is necessary to reorder them in accordance with the order of their poems as much as possible."Thorn Poems" are mostly based on admonishing Zhou kings or nobles,especially in poems about disasters.Poets often associate natural disasters with political principles,which objectively has the meaning of admonishing in accordance with the principles of "natural principles and heavenly principles".Different from the above two types of poems related to Zhou ideology,there is also a type of poems that directly confronts the profound disasters suffered by life individuals in two weeks.Abandoned wife has always been a poem motif with infinite sadness,and the disaster imagery used with Bixing’s technique makes the abandoned wife motif in "The Book of Songs" still have a touching life echo and poetry under thousands of years.Learn charm.There is another type of poems,which cannot be classified into any of the above types in terms of poetic meaning,but combines the first three types of poems to varying degrees in terms of poetry.On the one hand,whether it is about "birds","rats",or "plagues",the theme is not about the writing of natural disasters themselves,but the poetry author has created certain aesthetic images of the various disasters in the life world.This point has the same goal as the third type of poems by different routes;on the other hand,similar to the first two types of poems,the poet’s choice of aesthetic image is always directly or indirectly related to the historical events of the Zhou Dynasty.Combining the above four types,the aesthetic implication displayed by the disaster writing of "The Book of Songs" has two major characteristics: one is the aesthetic concept of "combination" between "heaven and man",and the other is the creation of an aesthetic image that is natural and long-lasting.And these aesthetic images can be presented in two different ways: one is that the author’s disaster memory is integrated into the good wishes for the future through aesthetic image creation;the other is that the disaster memory is integrated into the poet author’s through aesthetic image creation Experience of suffering in the moment.