On The Music And Performance Of Kushakov’s Original Work On The Modern Accordion,"Divertimento"

As a famous Russian composer,Anatoly Ivanovich Kushakov created many works of different styles and novel musical languages during his lifetime,including symphonies,chamber music,vocal music,accordion music,etc.Among them,accordion music works are the main creative direction,which integrates traditional and modern composition techniques and brings into full play the musical artistic language of the accordion.Kushakov wrote a large number of modern accordion music works,of which " Divertimento " can be called an important work of late works.It can be seen from the work “ Divertimento ” that Kushakov ’s exploration of new forms of expression of the accordion,the bold absorption of modern composition techniques,the use of new techniques and forms to combine modern composition techniques with the unique timbre of the accordion,breaking through the shackles of traditional ideas,fully displaying the characteristics of the accordion,enriching the rendering and expressiveness of the accordion,and at the same time,it has important musical research value for the development and creation of Russian accordion music.This article analyzes the text of Kushakov’s accordion solo work “Divertimento ”and the modern composition techniques in the work.,it is hoped to enhance the understanding and expression of Kushakov ’s accordion works,in order to improve the performance of modern works.In order to improve the understanding and grasp of the performance style of modern and contemporary works.This article is mainly divided into three chapters,as follows :1.Kushakov ’s life,major works of each period and the creative background of“Divertimento”.2.Analyze the text of the four movements of " Divertimento ",the modern musical materials that appear in the movements,and the writing of modern techniques.3.Combined with the textual analysis and creative characteristics of the work,we will deeply study the performance characteristics of modern techniques in the four movements of " Divertimento " and the musical performance of the work during the performance.