A Study On The Collection Of Sichuan Poems In Qing Dynasty

The Sichuan Poetry Collection of Qing Dynasty refers to the poetry collection completed in Qing Dynasty,which only includes Sichuan poets.The objects included are mainly the poets of the Qing Dynasties,but also other dynasties.The prosperous literary creation in Sichuan province has rich poetry resources,which provides a deep soil for the compilation of poetry collection.In addition,with the trend of compilation all over the country,the compilation of poetry collection has formed a literary trend.Until the Qing Dynasty,the compilation of Sichuan poetry reached its peak,showing the development context and overall style of Sichuan poetry.The paper takes the general collection of Sichuan poetry in the Qing Dynasty as the research subject and has six chapters.Besides the introduction and conclusion,the main text is divided into two parts: first,the overall study on the macro level,the overall grasp and overview of the Sichuan poetry collection in Qing Dynasty;The second is the micro case investigation,the eight selected poetry collection for specific examination and exploration.The first chapter is a general overview of the Qing Dynasty Sichuan poetry collection.Sichuan poetry collection has a long history of development.From the horizontal perspective,the national compilation of poetry collection has great influence on it.From the longitudinal point of view,the rich achievements and historical experience of the previous generation laid the foundation for its compilation.The development of Sichuan poetry collection in the Qing Dynasty can be divided into three stages.During the reign of Kangxi in the early Qing Dynasty,it was a rising stage,mostly inheriting the achievements of previous dynasties.The period from Qianlong to Daoguang years for the development stage,the general collection of this period is gradually perfect,the content is more to the previous generation of the continued.The Guangxu period was a mature period,during which the compilation methods and styles reached maturity,representing the highest achievement of Shu poetry collection.From the perspective of time and space,the Sichuan poetry collection in Qing Dynasty has two basic characteristics: continuity and regionalism,and the continuity is mainly reflected in the inheritance of the collection.Regionalism is mainly reflected in the spatial distribution of poets and regional features of poems.The second chatper discusses the relationship of origin between Jiangefanghua Poems Collection and Shu Poems.Jiangefanghua Poems Collection,compiled by fei father-son relationship in Xinfan county(Fei Jingyu,Fei Mi),is of poineering value as the first collection of Sichuan poems in the Qing Dynasty.Shu Poems were adds,deleted and revised on the basis of it,borthers of sun(Sun Ji,Sun Shu)did a lot help,so Shu Poems can be seen Jiangefanghua Poems Collection of repairing.The third chapter is a comparative study of Shu Ya and The Brief Collection of Sichuan Poems in the Qing Dynasty.Shu Ya compiled by Li Tiaoyuan is a collection of Sichuan Poetry in the Qing Dynasty with the significance of connecting the past and the future.It opened the upsurge of the compilation of Sichuan poetry and became the model of the compilation of the later generations.The Brief Collection of Sichuan Poems in the Qing Dynasty compiled by Zhang Hang is another valuable collection of poetry in Sichuan Province after Shu Ya.It is a collection of transitional significance,and most of its contents are included in Shu Ya.The two collections together push the compilation of Sichuan poetry in the Qing Dynasty to a climax.The fourth chapter mainly discusses the succession relationship between The whole Collection of Sichuan Poetry in Qing Dynasty and The Continuation Collection of Sichuan Poetry in Qing Dynasty.The Continuation Collection of Sichuan Poetry in Qing Dynasty is a supplement to The whole Collection of Sichuan Poetry in Qing Dynasty.The two achievements represent the highest achievements of the general collection of Sichuan poetry in the Qing Dynasty,which are regarded as the peak.The combination of the two books is the highest achievement of the work.The fifth chapter is a case study of Tan Zongjun’s Shu Xiu Collection.Shu Xiu Collection was selected and compiled by Tan Zongjun and Zhang Xuanqing of Zunjing Academy.It has two editions: Chengdu Trial Academy and the reedition of Zunjing Academy.According to the textual research,the selected objects of Shu Xiu Collection are limited to the students of the Academy,and the selected works are all the class art works of Sichuan students,which are the class art collection of the students of the Academy.Due to the particularity of this collection,Shu Xiu Collection is different from other collections of Sichuan poetry in the Qing Dynasty,with a strong test color in content,and it has a special historical position in the development history of Sichuan poetry collection in the Qing Dynasty.The sixth chapter is the textual research of Shi Yuan.The book was edited by Wang Zengqi,a native of Huayang,Sichuan in the late Qing Dynasty.The book is divided into two parts: The Official Compilation and The Continuing Compilation.It contains a large number of Qianlong and later poets,mainly from the Daoguang to Guangxu years in the late Qing Dynasty,and mainly includes the sages and editors’ friends in Sichuan.The collected contents of Shi Yuan and the previous Sichuan poetry collection are rarely repeated,which to some extent fills the blank of the Qing Sichuan poetry collection.It can be said that it is a summary of the Sichuan poetry in the late Qing Dynasty and a continuation of the previous Sichuan poetry collection,with distinct characteristics of the times.The seventh chapter mainly discusses the literary literature value of Sichuan poetry collection in the Qing Dynasty.The literature value of qing Dynasty Sichuan poetry collection is mainly reflected in the poetry collection,textual collation and historical materials.Its literary value is reflected in the poetry regional characteristics,literary criticism and literary development.