Research On The Revision Of The Literary Supplement Of Yan’an "Liberation Daily" From The Perspective Of "Incident"Ideology

As the main force of the Communist Party of China’s literary and artistic propaganda during the Yan’an period,"Liberation Daily" created a literary and art supplement that is an important confirmation of the history of Yan’an’s literary and artistic development.The revision of the literary supplement of "Liberation Daily" has played a positive role in standardizing and guiding the development of Yan’an literature and art,and has played a great role in promoting the new democratic cultural undertaking under the leadership of the Party,reflecting the "eventful" form of Yan’an literature and art as a cultural "strategy".In his book "Literary Events",Eagleton argues that "strategy" is a method of solving real problems in literature,and that literary works are also a "strategy" of political criticism.From the methodological perspective of Eagleton’s "literary events",the revision of the literary supplement of Yan’an "Liberation Daily" reflects a cultural "strategy" of "literary events".Therefore,the revision and study of the literary supplement of Yan’an Liberation Daily should not stop at the level of "strategy",but should deeply explore the "event" form presented by this "literary event" in the cultural field and the aesthetic field.This not only helps to clearly explain that the revision of the literary supplement of Yan’an " Liberation Daily " is a "literary event",but also provides a deeper understanding of the construction of "people’s literature and art" and "anti-Japanese war literature and art" in the Yan’an period.This article will be divided into three parts:The first part starts from the etymological meaning of "event",understands the meaning of "event" at the semantic level and ideological level,and then sorts out the origin of the "event" theory,and explores the evolution of "literary event" from the ideas of Heidegger,Bronshaw,Badiou,Atrich and others.Finally,the perspective fell on Eagleton’s theory of "literary events",and on this basis,the research on the revision of the literary supplement of Yan’an "Liberation Daily" was launched.The second part takes the "strategy" factor in Eagleton’s theory of "literary events" as the starting point,and explores the "strategy" of the event in the revision of the literary supplement of Yan’an "Liberation Daily".From the aspects of "the speech as a ’strategy’" and "the ’strategy’ intervention of the rectification movement",the occurrence of "strategy" in the revision of the literary supplement of Yan’an "Liberation Daily" was explained,and the specific impact of the "strategy" on the revision of the literary supplement was supplemented by relevant historical documents.The third part takes Eagleton’s consideration that the production of "literary events" is only attributed to "strategy",and analyzes the "event" form of the revised literary supplement of Yan’an "Liberation Daily" as "literary events".Analyze the cultural and aesthetic forms of "events" from the dimensions of works and literary and artistic construction.From the perspective of literary and art theory,the process of revising the literary supplement of Yan’an "Liberation Daily" reflects the "strategic" process proposed by Eagleton and is a "literary event".It is necessary to carefully interpret the specific practice of "literature" in the process of the incident from the new format of the revised format of the literary supplement of Yan’an "Liberation Daily" and the update of the literary form.