Research On “Tao Yuan Ming Shi Hua”

This article takes "Tao Yuanming’s Poetic Discourse" as the main research object and is divided into five parts:The introduction section mainly analyzes the reason and significance of the topic selection,research status,ideas and methods,and clarifies the research space and value of this article.The first chapter is the compilation and version of "Tao Yuanming’s Poetry Discourse".Firstly,the main compilers of this book,Wu Song,Wu Zhantai,Xu Yinfang,and Zhu Taimang,are introduced.Secondly,explain the conditions for book completion from the perspectives of the era environment,printing development,the prosperity of book engraving,and the efforts of editors.And the process of writing the book can be divided into three stages: first,during the Kangxi period,the formation period of "Tao Yuanming’s Poetry Talks".The second stage was during the Guangxu period,when the "Tao Yuanming Poetry Talks" was revised and improved.The third stage was the Republic of China,which completed the transformation from the Tao Ji appendix to the single line edition.Finally,analyze and compare the versions of Tao Yuanming’s Poems.The second chapter is about the relationship between "Tao Yuanming’s Poetry Talks" and the previous generation’s Tao related poetry talks.In chronological order,it can be roughly divided into five periods: pre Song,Song,Jin Yuan,Ming,and Qing.It also introduces the overview of the study of Tao Yuanming in the poetry discourse of various dynasties,as well as the inclusion of Tao Yuanming’s poetry discourse in the "Tao Yuanming Poetry Discourse".At the same time,by comparing the Tao related poetry talks in the compilation of poetry talks from previous dynasties with the "Tao Yuanming Poetry Talks",from the perspectives of the quantity,form,content,and scope of collection of Tao related poetry talks,we can see the similarities and differences,inheritance,and development between the compilation of poetry talks from previous dynasties and the "Tao Yuanming Poetry Talks".Chapter Three is about the acceptance and criticism of Tao Yuanming by later generations as seen in "Tao Yuanming’s Poetry Discourse".One is the acceptance of Tao Yuanming and his people,mainly due to his seclusion in the countryside and noble character;The exploration of openness,open-mindedness,and self satisfaction.The second is the acceptance of Tao’s poetry.The main analysis focuses on the origin and flow of Tao’s poetry,artistic style,influence,the theory of Tao’s poetry and calligraphy,the debate between Confucianism and Taoism in Tao’s poetry ideology,and the misappropriation of imitated Tao’s poetry into Tao’s collection.Chapter Four discusses the value,shortcomings,and development of "Tao Yuanming’s Poetry Discourse".Its value mainly lies in convenient reference and helping beginners;Beneficial for conducting research on various aspects of Tao Yuanming.Its shortcomings include improper labeling information,incomplete collection,and inaccurate collection.Afterwards,based on the compilation of pottery in later generations,the development of "Tao Yuanming’s Poetry Discourse" was explained.