Research On The Inheritance Form Of Hakka Xingning "Cup Flower Dance" From The Perspective Of Intangible Cultural Heritage

The "Cup Flower Dance",a provincial intangible cultural heritage project in xingning city,Meizhou,Guangdong Province,has a history of hundreds of years.It has rich Hakka folk characteristics and rich historical and cultural heritage,and meets people’s social and cultural needs.It is not only an important crystallization of local traditional folk culture,but also a valuable spiritual wealth of Hakka people.The "Cup Flower Dance" is a traditional dance art.It was originally a Taoist ritual dance popular in Xingning area in Qing Dynasty,and it belongs to Taoist dance.Now it is one of the most distinctive folk dances in Lingnan area.Its unique dance movements and skillful use of props to make a pleasant "Cup Flower Sound" are favored by the broad masses of the people,and this artistic feature of the "Cup Flower Dance" is just a side manifestation of Hakka rich customs.However,with the progress of society and the change of life style,people’s aesthetic and pursuit show a diversified trend.Different forms of modern dance have caused a certain impact on people’s aesthetic.Traditional folk dances have been difficult to meet the aesthetic requirements of modern people,making many traditional folk dances fade out of the stage of the times.As one of the folk dances,Hakka Xingning "Cup Flower Dance" faces a very severe challenge in its development situation.Based on the research of Hakka Xingning’s "Cup Flower Dance",this paper,from the perspective of intangible cultural heritage(hereinafter referred to as "intangible heritage"),aims at excavating the internal factors of the evolution of traditional folk dance,and based on the research of dance ontology,analyzes the artistic features and cultural connotations of Hakka Xingning’s "Cup Flower Dance",and explores the inheritance form behind it:The first chapter traces the internal factors of the evolution of Hakka Xingning "cup flower dance" from a historical perspective,and explores the real significance of cultural root seeking;The second chapter analyzes the artistic characteristics of Hakka Xingning "cup flower dance" from the perspective of dance noumenon,and shows the aesthetic interest of traditional "cup flower dance" and "cup flower dance" in the new era;The third chapter deeply interprets the cultural connotation and value of "cup flower dance" from the perspective of culture,analyzes the cultural power that breeds Hakka Xingning "cup flower dance",analyzes the characteristics of intangible cultural heritage such as the regionality,uniqueness and inheritance of Hakka Xingning "cup flower dance" through the performance occasions,performance forms and performance areas,and excavates the unique social function and value of Hakka Xingning "cup flower dance";The fourth chapter summarizes the inheritance form and current situation of Hakka Xingning "cup flower dance" from the perspective of inheritance and communication,and analyzes the specific inheritance strategies and communication channels.Through the in-depth exploration of Hakka Xingning "Cup Flower Dance",the author tries to grasp its distinctive artistic features,combine it with practice,innovate the dance form,and apply it to the dance drama creation of the graduation party,making a modest contribution to the protection and inheritance of "Cup Flower Dance".