The Spatial Description Of The Dilemma Of "The Other" In Wang Junzheng’s Films

As a representative of the fourth generation of female directors,Wang Junzheng’s main works include Miao Miao,Brother In Response,The First Woman in the Mountains,Woman TAXI Woman and Reply from Heaven.The director’s creative perspective not only looks at the female group,but also extends to the elderly,children,nature and other potential micro-objects.These characters share the common attribute of dilemma,and combine the social gender theory and ecofeminism’s "anti-anthropocentrism","anti-patriarchy","anti-dualism","solving the problem of marginal gene-group" and other related thoughts to eliminate hierarchy.In this paper,the author Outlines the group images of such objects as "others" of male discourse,modernization process and powerful groups,and discusses the construction and breakthrough of their predicament as a whole.At the same time,film belongs to time and space art,and space can better assist us to interpret the film art concretely.Through the visual window of space,it aims to explore more vividly the plight of the group images of "others" in Wang Junzheng’s films.The introduction part of this paper summarizes the research origin and significance,research status and research methods,research ideas and innovations.In the main body,firstly,from the research perspective of Wang Junzheng’s films and papers,this paper combs the theme division of Wang Junzheng’s films,and explains in detail the group image division of "the other" and the background of the dilemma construction of "the other" in Wang Junzheng’s films based on the theory of ecological feminism.In chapter two,the author makes a detailed study of the spatial presentation of wang Junzheng’s "Other" dilemma from three spatial forms: natural space,social space and heterogeneous space.In chapter 3,the spatial presentation of the plight of the "other" is transformed into the writing of the plight transcendence and breakthrough,which is intended to clarify the commonness and relevance of the spatial writing of the group images of the "other" from oppression and discipline to awakening and rebellion.In the last chapter,from the perspective of synchronic,the author will compare and discuss the spatial writing of the dilemma of "the other" in the films of Wang Junzheng and the fourth generation of female directors.By placing Wang Junzheng’s research on directing in the discourse of generations and times,the author tries to understand the original appearance of the existence of "others" in the films of the fourth generation of female directors from the historical and cultural variation folds and the coordinate system of gender and space.Through the research,the author hopes to have an overall macro grasp of Wang Junzheng’s film works,and at the same time,to rationalize the image of the "other" in the film based on the theory of gender and ecofeminism.This paper tries to broaden the perspective of gender discussion and combine it with space theory to provide new ideas for the research and application of ecofeminism,gender theory and space theory in film texts.From this research,we hope that gender,human and nature,and even different groups can truly equal development,harmonious coexistence,hand in hand.