The Thought Of Being: Ontological Interpretation Of Heidegger’s Aesthetic Thought

Heidegger’s aesthetic thought goes beyond the research scope of traditional aesthetics,covering Heidegger’s analysis of Dasein and extending to his philosophical interpretation of works of art and poetry.This article attempts to sort out Heidegger’s aesthetic thoughts with the theme of being on the basis of works such as Being and Time,The Origin of Works of Art,and Interpretation of H?lderlin’s Poems,which embody Heidegger’s aesthetic thoughts.system.This article will try to construct an ontological interpretation of Heidegger’s aesthetic thought around the following questions.First,why the thought of being has become the theme of Heidegger’s aesthetic thought.Second,how Heidegger’s analysis of Dasein thinks about Being.Third,Heidegger’s questioning of the origin of works of art is how to think about existence.Fourth,Heidegger’s interpretation of H?lderlin’s poetry is how to think about existence.First of all,this article discusses how the thought of being has become the core theme of Heidegger’s aesthetic thought.From the perspectives of philosophy,aesthetics,and literary theory,the introduction of this paper sorts out the current academic literature on Heidegger’s aesthetic thought,and finds that these research literatures either directly or indirectly relate to existence,or use Heidegger’s theory of Ontology is the characteristic of the premise of thought.An important reason for this is that the disciplines such as aesthetics and literary theory before Heidegger all used traditional metaphysics as their philosophical basis,and Heidegger’s re-examination of the problem of existence not only shakes the philosophical foundation of these disciplines,but also serves as a foundation for the philosophical foundation of these disciplines.Theoretical innovation offers new possibilities.Therefore,this paper believes that the thinking of being is a basic perspective that cannot be ignored in the research of Heidegger’s aesthetic thought,which is also the research direction that this research is devoted to.Second,the article discusses the question of how Dasein analysis thinks about the thinking of being.The second chapter of this paper explains the reasons why traditional metaphysics forgets existence,and how Heidegger rediscovers the existence problem through Dasein analysis.Heidegger believes that a problem that has always existed in the history of Western philosophy is to understand existence as some kind of supreme being,whether understanding existence as the Parmenidesian approach of "one",or understanding existence as the subjectivity of "I" The Cartesian approach of ” does not get rid of this line of thinking,which is the main reason why the problem of existence is forgotten.In response to this problem,Heidegger reconsidered the problem of existence with the question of the existence of Dasein as the main path,and took the tool-hammer as an example to analyze,revealing the world appearance of existence as a meaning connection.Thirdly,this paper argues that Heidegger’s questioning of the origin of works of art is also an existential question.The third chapter of this paper will focus on the two core issues of how non-Dasein exists and how existents maintain their self-preservation.Along the direction of Dasein’s analysis and questioning of existence,Heidegger’s inner rationale for the interpretation of works of art will be explored.By interpreting Van Gogh’s painting Farm Shoes,Heidegger,on the one hand,distinguishes between pure objects,tools and works of art,eliminating the interference of subjectivism for thinking about non-Dasein beings,and on the other hand,he points out that the essence of works of art is It is precisely through the world opened by the work of art that the non-Dasein beings who open a world win their own existence.In addition,Heidegger put forward the concept of earth by explaining the ancient Greek art building "Parthenon",which deepened the concept of the world in the early stage.It manifests itself in the dispute between the world and the earth.Finally,the article discusses in what sense Heidegger’s interpretation of H?lderlin’s poetry can be seen as a perfection of his idea of ??being.The fourth chapter of this paper will clarify that the arrogance of instrumental thinking leads to traditional metaphysics to regard pure objects and works of art as tools,while Dasein analysis does not clearly distinguish pure objects,tools and works of art.In order to further improve the thinking about existence,Heidegger turned his attention to language,which he believed was the first to reveal all beings.The language here is not a language as a means of expression,but a primordial language capable of naming beings,calling upon beings,and making them manifest,and this primordial language now exists only in poetry.In this regard,Heidegger’s interpretation of H?lderlin’s poetry is actually his reconsideration of the existence of Dasein through thinking language,which he perfects his thinking on existence and points out that poetry appears as heaven,earth,and god.,The existence of a unified whole(the world)in all four directions.On the whole,this paper believes that the process of Heidegger’s thinking about existence is gradually deepening from basic ontology to the origin of works of art and then to the interpretation of H?lderlin’s poems.This process is manifested in three aspects,first of all in the understanding of existence,that is,existence has experienced the changing process of the world as a connection of meaning—as the relationship between the world and the earth—as a unified whole of heaven,earth,god and man;Secondly,it is expressed in the understanding of the concept of the world,that is,the world has experienced the world of tools—the world opened by works of art—the world of heaven,earth,god,and man as a unified whole;finally,it is expressed in the appearance of the existence of Dasein,which is this The existence of being has experienced the changing process from appearing in the self-dominated world of subjectivity to appearing in the unity of heaven,earth,god and man.This article will demonstrate the ontological dimension contained in Heidegger’s aesthetic thought from the above three aspects.