Chinese Symphonic Composition Under The Ideological Trend Of Music(1949-2019)

In the late nineteenth and early twentieth centuries,symphony entered China.In the past 100 years of development,the combination of Western symphony and traditional Chinese culture has gradually taken root in the soil of Chinese music culture,and a large number of symphony works with traditional Chinese cultural characteristics have been produced.Looking at the history of symphony in China,if the first half of the 20 th century was the initial stage for symphony to enter China,then the second half of the 20 th century after the founding of New China in 1949 was the mature period for symphony in China.with multiple periods.The development of dating as a Western elegant music in China is not only influenced by the laws of the symphony itself,but also the result of the influence of the world music trend.In the first half of the 20 th century,after the trend of realism entered China,it was combined with the current situation of the Chinese revolution to produce the trend of revolutionary realism,and in the field of music,the trend of music of revolutionary realism was born.Under the leadership of the Communist Party of China,the trend of revolutionary realism became the mainstream trend of thought that influenced the creation of symphony music after the founding of New China until before the reform and opening up.During this period,most of the Chinese symphony creations were created with the revolutionary realism music trend as the core.The humanistic music trend of thought and the nationalist trend of thought are divided as the trend of thought,which further enriches the trend of thought to influence the creation of Chinese symphony.The implementation of the basic national policy of reform and opening up has brought about tremendous changes in China.The western modern ideological trend poured into China in large numbers,the revolutionary realism musicideological trend gradually dissipated,and the modernist ideological trend gradually became the mainstream ideological trend affecting the creation of Chinese symphony,and combined with Chinese culture to produce two new types of music:new wave music and post-new wave music.In order to have a clearer understanding of Chinese symphony creation from the founding of the People’s Republic of China to the end of the 20 th century,this paper takes Chinese symphony creation under the changing trend of music as the research object.and other research methods,focusing on the creation of Chinese symphony between 1949 and 2019,and placing it in the context of the changing music trends,in order to make a detailed analysis and macroscopic view of the creation of Chinese symphony during this period.grasp.The first chapter is the introduction of the full text,which defines the concept of symphony and musical thought,clarifies the characteristics of symphony and musical thought,and sorts out the development of symphony in China,and expounds the relationship between music thought and symphony creation.This paper expounds the research object and the characteristics of the research object,and explains the academic significance of this research and the current research status at home and abroad.The second chapter expounds the situation of Chinese symphony creation in the initial exploration stage of the socialist road from 1949 to 1976,with the revolutionary realism music trend as the main body and the humanistic music trend and the nationalist music trend as the tributaries.The third chapter expounds the influence of the modernist music trend on the creation of Chinese symphony since the reform and opening up in 1978-2019,which involves the creation of new wave music and post-new wave music.From the perspective of diachronic research,this paper analyzes and studies the specific situation of Chinese symphony creation in the half century after the founding of New China under the influence of changes in musical thoughts,in order to clarify the mainstream context of Chinese symphony creation.