| In the development process of western traditional painting,material language only served as the basis of modeling language and color language for a long period of time,and indirectly demonstrated the value of material properties through technology.Therefore,artists often ignored the aesthetic characteristics of materials themselves.Since the beginning of the 20 th century,the original painting language and means have been unable to satisfy the expressive impulse brought by the change of creative ideas.The potential aesthetic characteristics of the material itself have been excavated,and the material language has gradually changed from the original material medium to the subject with independent aesthetic value.The material language has realized the nature transformation from dependency to autonomy and dependency to independence.Centering on the physical attributes,spiritual attributes and cultural aesthetic attributes of the material itself,the core academic research demand of this paper is to study how to effectively involve the material in the author’s painting works to seek the unique expression of the series creation of industrial themes,and to expect to present the spirit of The Times and the thoughts and emotions of the creator through reasonable use of the comprehensive attributes of the essence of the material. |