Research On The Stylistic Features Of Zhu Xi’s Neo-Confucianism Poems

In the style and features of the poetry studied in the first chapter,poetry and reason are only a simple aggregation in form.First of all,due to the choice of subjects in the Neo-Confucianism,the function of poetry must revolve around the elucidation of righteousness,and the inherent logic of the subjects will restrict the form and appearance of poetry.The most intuitive manifestation is the simplicity and popularity of language expression.Specifically,it is not only the extensive use of spoken vocabulary and explanatory vocabulary,but also the inherent popularity of the seven-character sentence pattern itself,which also strengthens the simplicity and accessibility of poetry.The basis of the appearance of "separation of poetry and reason" is the basic logic of Zhu Xi’s "writing from the Tao".Under the concept of "Dao Gen Wen Ye".the meaning precedes the style,so that the meaning of meaning can naturally and reasonably cover up the original style and appearance of poetry.In the poetry of Neo-Confucianism discussed in the second chapter,Neo-Confucianism and literary characteristics can coexist to a certain extent.It is the most common existence in Zhu Xi’s Neo-Confucianism poems.On the rhetorical level,the first is the use of allusions in the classics,and the second is the use of antithetical rhetoric,which makes poetry more literary in appearance.At the same time,the use of rhetorical questions strengthens the expression of emotion and shows the essential function of poetry to express emotion.But at the same time,most of the emotions are rational thoughts or feelings,and the deep level of literary aesthetics is still weakened.In addition to "literature comes from the Tao",the more important reason is the cultivation requirement of "cultivating Kung Fu".Zhu Xi emphasized"controlling emotion by reason",and expressed emotion on the basis of the principle of heaven when viewing the external objects.Therefore,the images are endowed with unique meanings,and the literary aesthetics are transformed into the understanding of Neo-Confucianism.The third chapter focuses on the most important works of "rational interest" in Neo-Confucian poetry.The main points of rational interest need to be in the natural and peaceful experience,and the vivid image of poetic language to produce the characteristics of rational or philosophical insight.This kind of poetry can highlight "reason and interest",and the stylistic reason is mainly due to the use of "Bi xing" technique.Zhu Xi’s most acclaimed"poems of reason and interest" all connect reason with objects because of "comparison",and cause emotional jumping echo by using objects because of "xing",and "reason" is hidden in objects,which is an important reason for forming the style of "reason and interest".At the same time."Li Qu poetry" also coincides with Zhu Xi’s pursuit of creative style and mood,and can create "plain and natural" Li Qu poetry in the state of "overflowing true taste".