A Study On China's Image In French Mainstream Media's Reports On The Beijing Winter Olympics From The Perspective Of Symbolic Aggregation Theor

In the past ten years,in the field of Chinese animation,the topic of "Chinese Animation School" has been mentioned many times.Ignoring basic research,the revival of the "Chinese Animation School" is just a dream,and the modeling design of many animation films still stays at the level of imitating and plagiarizing foreign animation.As a result,since the beginning of the 21 st century,China has not seen any national visual imagery and animation leaders that share the visual aesthetics of animation.On the other hand,Japan’s animation field has developed rapidly and talented people have emerged in large numbers.It has gradually formed a highly recognizable national visual image in the international animation field,giving Japanese animation a strong competitive advantage in the international market.As one of the directors directing "Afanti",Mr.Qu Jianfang proposed: "Today’s animation should learn the spirit of creation,the spirit of excellence,the spirit of experiencing life,learning from tradition,and the pursuit of their own style and originality.Spirit.” Therefore,starting from traditional Chinese art and culture,learning,researching,extracting,inheriting,and developing national characteristics is an important process for the continuation of the "Chinese national characteristics"style animation aesthetic system.This topic uses the literature research method,the field investigation method,the image analysis analogy method,and the design practice method,and refers to the measurement method mentioned in the "Modeling Measurement Classic" to establish a measurement system suitable for puppet modeling,and apply it to Quanzhou,In the study of the face measurement of puppet characters in Zhangzhou,we summarized the characteristics of facial structure,and compared the similarities and differences between the four types of characters: Sheng,Dan,Bei(Jing)and Za(Chou)in the two places to explore.The characteristics of Chinese national aesthetics and the construction of an animated character modeling style with national characteristics.Secondly,through the study of Pili puppet show to explore the inheritance and innovation of puppet modeling.Finally,by studying the influence of the modeling characteristics of Japanese human figures and pure glass puppets on the modeling styles of Japanese puppet masters of stop-motion animation,we can learn experience for the development of Chinese animation.The research structure of this topic is roughly as follows: Chapter 1 mainly elaborates the purpose,significance and methods of the topic selection research.The second chapter mainly introduces the development of puppet art and the establishment of a measurement system to analyze the four main characters of Quanzhou and Zhangzhou,namely Sheng,Dan,Bei(Jing),and Miscellaneous(Ugly),and refine and analyze the laws of puppet facial modeling characteristics,and provide an analysis of the puppets in the Lingnan area.Contrast and analyze the role modeling art of opera.At the same time,take the gains and losses of Taiwan’s Pili puppet show as an example to explore the inheritance and innovation of puppet modeling.The third chapter mainly analyzes the modeling characteristics of Japanese human figures and Joruri puppets,and studies the influence of Japanese traditional puppet character modeling on the creation of Japanese puppets stop-motion animation through stop-motion animations of Chinaga Gionhi and Kawamoto Kihachiro.Chapter 4describes the practice of animation character design based on traditional puppet art.